This early colour film (1932), impeccably directed by Casablanca-maker Michael Curtiz, is a stylish and atmospheric old dark house thriller with a gruesome sci-fi twist. Unfortunately it’s also an attempt at Groucho Marx-style comedy with a Lee Tracy in the lead as a wise-cracking reporter, whose comedy repertoire isn’t up to the task. Fay Wray and Lionel Atwill shine, and the whole thing has the delicious look and feel of a faded pulp magazine. 7/10
By many considered as the best version of Stevenson’s classic book, this 1931 film resulted in an Oscar win for actor Fredric March. Beautifully filmed by Rouben Mamoulian and well acted across the board. It also features some stunning visual tricks and strong pre-Code sexual content. 8/10
The 1920s was an exciting time in science fiction film history. Cinema was booming after WWI, giving filmmakers successively bigger budgets to realise their visions with, and groundbreaking technical advancements allowed for ever more realistic depictions of the impossible. Here’s a list of the 10 best sci-fi films released between 1920 and 1929.
Frankenstein (1931) is a masterpiece of camera, light and sound, which proved that sound films didn’t have to be static and clunky. By placing humanity at the film’s core and teasing superb performances out of Boris Karloff and Colin Clive, director James Whale saves it from a creaky script. A seminal piece for SF, horror and films in general. 9/10
This 1931 apocalypse film from French mastermind of the silent era, Abel Gance, is a turkey of epic proportions. The heavy-handed religious moral tale fails to cope with the restrictions of sound films, and the all too obvious script that fails to surprise or engage the viewer. 3/10
A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The film looks good, though. 3/10
The fourth film about the most prolific female mainstream movie monster of all time — Alraune — was the first one in sound. Movie star Brigitte Helm reprised her role as the artificially created man-eater in this German 1930 production. Director Richard Oswald tried to modernise the tale, but the result is a surprisingly uninspired potboiler. 4/10