The Island of the Lost
The earliest preserved “adaptation” of H.G. Wells’ The Island of Dr. Moreau from 1921 disappoints Wells fans. While sporting impressive actors, the German comedy is marred by a haphazard script and lazy direction. 3/10
Janne is a journalist and magazine editor from Finland, who in his spare time runs the science fiction blog Scifist.
The earliest preserved “adaptation” of H.G. Wells’ The Island of Dr. Moreau from 1921 disappoints Wells fans. While sporting impressive actors, the German comedy is marred by a haphazard script and lazy direction. 3/10
Adding new footage to “Americanize” a foreign film rarely works well. One of the exceptions is the 1956 version of Godzilla, which handles the re-edit tactfully and packs a punch that is almost equal to that of the 1954 original. 7/10
Despite starting off in the far-flung future of 1975, Brazil’s first SF movie is primarily a domestic melodrama set in the year it was made, 1947. This poor man’s Citizen Kane is a stated amateur production, but not without merits. 5/10
The third and final Gill-man film from 1956 toys with interesting fish-out-of-water themes. Despite competent direction and good acting, the low budget and aimless script fail to give this movie buoyance. 5/10
Much of the heritage in SF movies comes from non-English language films from the first half of the 20th century, many of which are largely unknown to an English-speaking audience today. Here we list the 25 greatest non-English language science fiction movies made prior to 1950. How many have you seen?
The first US time machine film from 1956 is a fun but clunky Technicolor adventure. Astronauts accidentally travel 500 years into the future, where the meek, pacifist human survivors hide from barbaric mutants in an underground civilisation. 5/10
All but forgotten, but immensely important for the birth of the luchador superhero genre, this 1954 romp following the exploits of “The Avenging Shadow” is a surprisingly good action film in the Republic serial vein. 6/10
A 1956 cult classic, this gangster-monster mashup with Lon Chaney Jr. as a super-charged avenger suffers from the cutting of most of Chaney’s lines, and with them key scenes. Decent performances & good location shooting make it worth a watch. 3/10
Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
A plastic surgeon believes that by giving a scarred female criminal a pretty new face, he can reform her. The twist in this 1952 Hammer entry by Terence Fisher is that the surgeon gives the criminal the face of the woman he loves, and marries her. 5/10
A lady entomologist channels her inner secret agent when sent on a dangerous mission to an Eastern European country in this British 1950 spy-fi comedy thriller written by author Eric Ambler. 6/10
Robert Siodmak shows his skill as a director in this early 1942 screwball comedy starring later SF star Richard Carlson and Oscar nominee Nancy Kelly, as they chase a Nazi superweapon, trying to prove Carlson’s innocense in a murder case. 7/10
The famous 1925 adaptation of H. Rider Haggard’s novel is best remembered for Betty Blythe’s varied states of undress. While UFA provides handsome set pieces, the British production falters in the directing and cinematography departments. 3/10
Universal’s 1925 silent melodrama is a riches-to-rags story on steroids, focusing on the inventor of a video phone. With money and fame he neglects his wife, who secretly holds 50 percent of his company. A competent but forgettable programmer. 5/10
A well-produced spy-fi melodrama of the serial mold, this 1916 silent scripted by pioneer Julia Crawford Ivers may be the earliest preserved American science fiction feature film. Frank Lloyd’s nifty directorial touches add to its appeal. 6/10