Universal’s 1925 silent melodrama is a riches-to-rags story on steroids, focusing on the inventor of a video phone. With money and fame he neglects his wife, who secretly holds 50 percent of his company. A competent but forgettable programmer. 5/10
Janne is a journalist and magazine editor from Finland, who in his spare time runs the science fiction blog Scifist.
A well-produced spy-fi melodrama of the serial mold, this 1916 silent scripted by pioneer Julia Crawford Ivers may be the earliest preserved American science fiction feature film. Frank Lloyd’s nifty directorial touches add to its appeal. 6/10
Percy Stow was one of the pioneers of British trick films, and often took on science fiction subjects in his short films made between 1901 and 1915. In these he showcased high technical quality and a touch of originality.
A photo of a UFO propels journalist Tore Haugen into a stellar career, while her colleague and husband becomes a stay-at-home dad. This well-made Norwegian marital comedy from 1956 manages to be progressive and reactionary at the same time. 7/10
The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10
This is a post to thank all my regular readers and followers. I have now written my last movie review based on writings from my old, locked blog, and am setting forth towards the great unknown. Please join me on my journey!
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10
Friendly star-shaped aliens try to warn Tokyo’s inhabitants of a planetary collision. Humans flee in fear at the sight of the alien starfish, so one of them shape-shifts and infiltrates. This 1956 colour spectacle is entertaining but contrived. 5/10
A well-meaning goofball is injected with a serum that allows him to see future events. Suddenly there is no end of people wanting to take advantage of the kind-hearted tramp. This Mexican 1956 effort is a minor film for comedian Clavillazo. 4/10
Attack of the belly dancers from outer space! Two dimwit journalists fall prey for the matriarchal aliens landing in Istanbul in Turkey’s earliest preserved SF movie from 1955. Unfortunately this Turksploitation milestone fails on every level. 0/10
A treat for so-bad-they’re-good movie fans, this 1955 clunker from ARC/AIP takes place almost exclusively on a California beach where FBI agents hunt movie history’s most incompetent spy and a radioactive sea monster. 1/10
A small group of survivors hole up in a bungalow after a nuclear war, hoping to outlast the fallout and the mutants raging beyond the picket fence. Roger Corman directs the 1955 cheapo efficiently, but it spends too long treading water. 3/10
A scientist trying to end hunger creates a giant spider that runs amok in a small desert community. This 1955 classic is not director Jack Arnold’s best work, but even so, it’s one of the best giant critter movies of the 50’s. 6/10
In 1955 Hammer kickstarted its legendary horror franchise with a dark and unsettling adaptation of a 1953 TV series. An astronaut brings back an unspeakable horror from space, which begins its invasion of Earth by mutating its host. 8/10