My very first zero-star review goes to a 1946 Mexican ”sci-fi comedy” starring a down and out Buster Keaton doing his best not to fall asleep on set. The script has three idiots landing a rocket in the middle of a Mexican city, thinking they are on the moon. That is the full plot. The best moments have Buster Keaton lifelessly repeating old gags from his silent era. The rest is a mess. Scifist rating: 0/10.
The most accurate adaptation of Jules Verne’s novel Mysterious Island that has ever been put on screen was made in Soviet Ukraine in 1941. This doesn’t necessarily work in the film’s favour, as it is rather talky and static. Look out for Robert Ross, long-time leader of the African American community in Moscow. 5/10
The first sound adaptation of H. Rider Haggards lost world novel benefits from location shooting in Africa, a faithful script and good acting. Paul Robeson shines, even though his out-of-place song numbers strain the picture’s credibility. Despite a somewhat rushed plot and thin characters, this is a fun Sunday afternoon adventure yarn. 6/10
Schizophrenic British comedy/crime drama set on a huge futuristic luxury airliner. Cringe-worthy comedy is mixed with a witness drama that manages to be both improbable and generic. Good acting and steady direction saves the film from bring a complete clunker. 3/10
H.G. Wells and William Cameron Menzies take us on an epic journey through the future in this pompous 1936 social prophesy, the last big SF film before the 1950s. The most expensive film made in Britain at the time, Things to Come boasts incredible sets and effects, but the script is stiff, the acting wooden and the viewer bludgeoned to boredom with the message. 6/10
Inspired by Flash Gordon and The Phantom Empire, the young Republic Studios launched their own sci-fi serial in 1936, and the result was an action-packed, but rather brainless concoction. Occasional good design and an energetic Crash Corrigan can’t save this badly scripted Atlantis-themed hodgepodge. 3/10
Based on H. Rider Haggard’s novel, this 1935 production from the creators of King Kong is as old-fashioned an adventure story as they come, as our intrepid heroes seek the secret to immortal life in a lost city ruled by an evil queen. It’s a creaky bag of hokum, but childishly entertaining, and the massive Art Deco sets are deliriously wonderful. 5/10