In the air

F.P.1. Doesn’t Answer

The earliest available feature film based on a modern sci-fi novel, this German 1932 melodrama concerns the then outlandish idea of a floating gas station for transatlantic flights. Filmed in three different languages with different casts, it’s not exactly a neglected masterpiece, but with talent like Curt Siodmak, Hans Albers, Charles Boyer, Peter Lorre, Conrad Veidt and Sybille Schmitz, it’s certainly a forgotten sci-fi gem. 6/10

Just Imagine

A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The film looks good, though. 3/10

High Treason

This 1929 film was Britain’s attempt to create its own Metropolis. The stunning art deco visuals are counteracted by a clumsy and overtly naive script. Maurice Elvey’s direction is fluid and competent, but the actors are stuck with paper-thin characters who lack motivation. Modern viewers of this pacifist yarn set in 1940 will marvel at the accurate predictions of things like TV and Skype. (5/10)

Charleston Parade

In a nutshell: A bonkers short subject by master director Jean Renoir from 1927 shows an African explorer in a spacecraft discovering a white native woman in a post-apocalyptic Paris, and they dance the Charleston for ten minutes. (5/10)

The Conquest of the Pole

∗∗∗∗∗∗∗∗∗∗ (6/10) Georges Méliès’ last science fiction film, released in 1912, was a magnificent swansong for an era of filmmaking. Perhaps his most accomplished film technically, but the polar adventure […]