Lost world

King Solomon’s Mines

An Oscar nominee for best picture, MGM:s 1950 adaptation of H. Rider Haggard’s adventure novel dazzled audiences with its Technicolor images of African wildlife and exotic natives. However, the film more closely resembles a nature documentary than a work of narrative cinema. 3/10

Two Lost Worlds

In 1950 former ballet master and style adviser to Mae West, Boris Petroff, produced a bewildering mishmash of pirates, Australian farm romance, western action and slurpasaurs starring later TV star James Arness. Two Lost Worlds is a low-budget patch job with new dialogue scenes edited to fit action sequences from at least three other movies. 1/10

King Solomon’s Mines

The first sound adaptation of H. Rider Haggards lost world novel benefits from location shooting in Africa, a faithful script and good acting. Paul Robeson shines, even though his out-of-place song numbers strain the picture’s credibility. Despite a somewhat rushed plot and thin characters, this is a fun Sunday afternoon adventure yarn. 6/10

She

Based on H. Rider Haggard’s novel, this 1935 production from the creators of King Kong is as old-fashioned an adventure story as they come, as our intrepid heroes seek the secret to immortal life in a lost city ruled by an evil queen. It’s a creaky bag of hokum, but childishly entertaining, and the massive Art Deco sets are deliriously wonderful. 5/10

The Phantom Empire

Not even the worst serial acting in the history of bad serial acting is able to completely sink this brilliantly delirious sci-fi western musical comedy starring western and country legend Gene Autry. The film combines wild west adventure, lost Atlantis-type fantasy, Flash Gordon tropes and country singing in one of he most bizarre train wrecks of film history. 4/10

King Kong

Larger than life in every aspect, the original King Kong was a juggernaut, as loud, daring and unstoppable as its titular monster, it crashed into cinemas in 1933 and has refused to leave ever since. Willis O’Brien’s revolutionary stop-motion work, a multitude of amazing visual tricks and Fay Wray’s legendary screams help cover up a weak script, terrible dialogue, non-existent character arcs and woeful acting.  8/10

The Mysterious Island

Borrowing the name of Jules Verne’s bestseller, this problem-ridden 1926-1929 production features good acting, some remarkable special effects and a solid-ish script, but alas, the schizophrenic semi-talkie-semi-silent film is just as equally horrible in many ways, with toy submarines and crocodiles substituting for dinos. (4/10)