Conquest of Man

Killers from Space

Famous for its villains with ping pong ball eyes, this 1953 low-budget entry sees Peter Graves abducted by aliens planning to invade the Earth. Sadly, the stale script isn’t nearly as fun as the design of the antagonists would suggest. 2/10

El monstruo resucitado

As enthusiastic as it is bewildering, this operatic Mexican 1953 medical horror film is a clunky passion project. Throwing in everything but the kitchen sink, it’s a mix between The Phantom of the Opera, Frankenstein and Mystery of the Wax Museum. 6/10

Donovan’s Brain

The disembodied brain of ruthless millionaire Donovan takes telepathic control over the scientist keeping it alive in a fish tank. Based on Curt Siodmak’s novel, this 1953 effort is at its best a taut SF chiller, at its worst a confusing tax fraud potboiler. 5/10

Cat-Women of the Moon

The first “Amazon Women in Space” film, this 1953 low-budget clunker is one of the dumbest films ever made. However, despite its borrowed sets, atrocious acting and ludicrous script, it is thoroughly fun in its naivety. 3/10

The Quatermass Experiment

Hugely influential, BBC’s 1953 mini-series about an alien virus mutating their hosts was a massive British TV event. Aired live, its sets were clunky and the acting stiff, but the great script and innovative direction overcome the flaws even today. 6/10

The Maze

Veronica Hurst’s fiancĂ© Richard Carlson becomes estranged as he takes possession of his ancestral Scottish castle, harbouring a dark secret. Atmospherically filmed in 3D in 1953, this fringe SF production is hampered by an oft-ridiculed climax. 6/10

Mesa of Lost Women

A contender for the worst movie ever, this 1953 patch-job is a mind-boggling series of failures. Built upon existing footage from an unreleased picture, this one includes spider women, mad scientists and evil dwarfs, and still manages to be deadly dull. 0/10

The Twonky

A mind-controlling machine from an authoritarian future disguises itself as a TV set in the home of a professor and starts messing with his life. Badly adapted from a story by “Lewis Padgett”, this 1953 attempt at satire is a dull turkey. 1/10

Four Sided Triangle

When two scientists fall in love with the same girl, they clone her. Despite strong direction from Terence Fisher, this British 1953 SF melodrama rejects all the premise’s interesting possibilities and settles for a dull relationship drama. 4/10

It Came from Outer Space

Ray Bradbury’s story is poetically put on screen in this 1953 classic. Richard Carlson stars as a mediator between body-snatching aliens and gun-happy townsfolk. Intelligent, well-filmed and thoughtful, it may be too slow for some tastes. 8/10

Phantom from Space

Agents and scientists chase an invisible alien around Griffith Observatory in this 1953 cheapo by Billy Wilder’s brother. Decent effects and some nice ideas aside, the film is brought down by its leaden pace, dull, talky script and cramped sets. 1/10

Invaders from Mars

This 1953 classic is the most visually unabashed SF movie of the 50s. While hampered by a low budget, this first “invasion of the body snatchers” film scared a generation of kids witless, but also contains interesting themes for adults to chew on. 7/10

Alraune

History’s perhaps most prolific female movie monster Alraune makes her fifth appearance in this German 1952 all-star adaptation. Trying to compromise with its outmoded source material, it loses its edge, but makes up for it with wonderful cinematography and design. 5/10

Min aina laka haza?

A scientist’s assistant turns himself invisible as to win the hand of his beloved. Egypt’s first SF movie from 1952 is a light-hearted musical comedy inspired by Universal’s Invisible Man films. Not very original, but aptly made and quite enjoyable. 5/10