In 1945 the world still had time for one decent old-school mad scientist film before the genre imploded on itself. Swedish heart-throb Nils Asther shines in a Dorian Gray-inspired major studio production by Paramount about a 120 year old genius searching for the secret of everlasting life, while telling everyone around him that he is only 35. 6/10
The first anthology TV show to feature science fiction, Lights Out was adapted from a popular horror radio show in the US in 1949. Lights Out sports an impressive roster of actors and writers, but it struggles somewhat to transfer what was so great about the radio program to the screen. 5/10
A rare gem, Japan’s earliest preserved science fiction film The Invisible Man Appears is more inspired by Universal’s Invisible Man films than H.G. Wells’ novel. This 1949 crime mystery drama meets tokusatsu film boasts the special effects of the great Eiji Tsuburaya and some good performances. 5/10
Finland’s first science fiction film “Hormones on the Loose” from 1948 doesn’t boast a mad scientist as much as a mad patient. In this screwball comedy a stuck-up businessman realises his life is much better when an injection he receives reduces his mental state to that of a child’s. While it fails as a crazy-comedy, it has certain naive charm. 4/10
History was made in 1948 when the first live-action Superman graced the screen. The 15-part serial from Columbia is obviously made on a tight budget, somewhat hurting credibility, but it’s respectful to the source material and Kirk Alyn is a believable man of steel. The real star of the serial is Noel Neill as Lois Lane, though. 5/10.
Batman, Superman and Captain America were among the superheroes that made their screen debuts in film serials. The superhero serials borrowed heavily from pulp stories, radio shows and comic magazines, and in turn helped lay many of the foundations for future SF movies. Here we take a look at the origins and history of the most influential superhero serials of the thirties and forties.
Universal’s third monster mash film from 1945 is a decent, if not necessarily worthy, farewell to the studio’s legendary ghouls. Despite flashes of originality, it feels as if we are re-heating the same TV dinner for the umpteenth time before the SF movies of the US caught up with the new post-war reality. Scifist Rating: 4/10