By many considered as the best version of Stevenson’s classic book, this 1931 film resulted in an Oscar win for actor Fredric March. Beautifully filmed by Rouben Mamoulian and well acted across the board. It also features some stunning visual tricks and strong pre-Code sexual content. 8/10
Frankenstein (1931) is a masterpiece of camera, light and sound, which proved that sound films didn’t have to be static and clunky. By placing humanity at the film’s core and teasing superb performances out of Boris Karloff and Colin Clive, director James Whale saves it from a creaky script. A seminal piece for SF, horror and films in general. 9/10
A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The film looks good, though. 3/10
The fourth film about the most prolific female mainstream movie monster of all time — Alraune — was the first one in sound. Movie star Brigitte Helm reprised her role as the artificially created man-eater in this German 1930 production. Director Richard Oswald tried to modernise the tale, but the result is a surprisingly uninspired potboiler. 4/10
A hallucinatory explosion of art deco and visual experimentation, Marcel L’Herbier’s 1924 film L’Inhumaine has divided critics and audiences for decades. Its bold design and innovative editing inspired a generation of directors, but many find its script thin and its characters one-dimensional and uninspiring.
NO RATING: FILMS LOST OR UNAVAILABLE Alraune is a forgotten movie monster that for a a few decades during the silent era fought for popularity in Europe with the likes […]
A misogynist but still fairly entertaining sci-fi/fantasy film from Germany about a soulless woman artificially produced from the semen of a hanged murderer and the womb of a prostitute. Worth watching for the ever alluring Brigitte Helm in the lead. (5/10)