Forbidden Planet
Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
She
The famous 1925 adaptation of H. Rider Haggard’s novel is best remembered for Betty Blythe’s varied states of undress. While UFA provides handsome set pieces, the British production falters in the directing and cinematography departments. 3/10
1984
The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10
Invasion of the Body Snatchers
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
The Gamma People
Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10
The Quatermass Xperiment
In 1955 Hammer kickstarted its legendary horror franchise with a dark and unsettling adaptation of a 1953 TV series. An astronaut brings back an unspeakable horror from space, which begins its invasion of Earth by mutating its host. 8/10
Creature with the Atom Brain
Cult director Edward L. Cahn directs SF staple Richard Denning with a Curt Siodmak script in this 1955 consumable about gangster zombies with radioactive brains. An entertaining but forgettable atom age potboiler from Columbia. 4/10
The Beast with a Million Eyes
Birds and cows attack the residents of a small desert community – mind-controlled by an invisible alien entity set to enslave the Earth. It says Roger Corman on the packaging, but this slow and shoddy entry lacks the magic Corman touch. 1/10
Bride of the Monster
Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10
Devil Girl from Mars
Glorious comic book camp smashes into dull noir drama in this British 1954 cult classic. A must-see for Martian dominatrix Patricia Laffan looking for strong Earth men in her kinky latex outfit, but don’t expect too much. 5/10
Killers from Space
Famous for its villains with ping pong ball eyes, this 1953 low-budget entry sees Peter Graves abducted by aliens planning to invade the Earth. Sadly, the stale script isn’t nearly as fun as the design of the antagonists would suggest. 2/10
El monstruo resucitado
As enthusiastic as it is bewildering, this operatic Mexican 1953 medical horror film is a clunky passion project. Throwing in everything but the kitchen sink, it’s a mix between The Phantom of the Opera, Frankenstein and Mystery of the Wax Museum. 6/10
Donovan’s Brain
The disembodied brain of ruthless millionaire Donovan takes telepathic control over the scientist keeping it alive in a fish tank. Based on Curt Siodmak’s novel, this 1953 effort is at its best a taut SF chiller, at its worst a confusing tax fraud potboiler. 5/10
Cat-Women of the Moon
The first “Amazon Women in Space” film, this 1953 low-budget clunker is one of the dumbest films ever made. However, despite its borrowed sets, atrocious acting and ludicrous script, it is thoroughly fun in its naivety. 3/10
The Quatermass Experiment
Hugely influential, BBC’s 1953 mini-series about an alien virus mutating their hosts was a massive British TV event. Aired live, its sets were clunky and the acting stiff, but the great script and innovative direction overcome the flaws even today. 6/10
scifist 2.0 