The Mole People
Archaeologists led by SF staple John Agar are captured by a lost underground civilisation in Universal’s 1956 movie. It’s not without its merits, but hampered by a weak script and a low budget. 4/10
Archaeologists led by SF staple John Agar are captured by a lost underground civilisation in Universal’s 1956 movie. It’s not without its merits, but hampered by a weak script and a low budget. 4/10
Evil scientists turn an unwitting family man into a werewolf and let him loose in a sleepy small town. Made on a shoestring with bit-part actors, this 1956 Columbia melodrama packs some nice visuals and interesting, adult themes. 6/10.
The third and final Gill-man film from 1956 toys with interesting fish-out-of-water themes. Despite competent direction and good acting, the low budget and aimless script fail to give this movie buoyance. 5/10
The first US time machine film from 1956 is a fun but clunky Technicolor adventure. Astronauts accidentally travel 500 years into the future, where the meek, pacifist human survivors hide from barbaric mutants in an underground civilisation. 5/10
A small group of survivors hole up in a bungalow after a nuclear war, hoping to outlast the fallout and the mutants raging beyond the picket fence. Roger Corman directs the 1955 cheapo efficiently, but it spends too long treading water. 3/10
In 1955 Hammer kickstarted its legendary horror franchise with a dark and unsettling adaptation of a 1953 TV series. An astronaut brings back an unspeakable horror from space, which begins its invasion of Earth by mutating its host. 8/10
Hugely influential, BBC’s 1953 mini-series about an alien virus mutating their hosts was a massive British TV event. Aired live, its sets were clunky and the acting stiff, but the great script and innovative direction overcome the flaws even today. 6/10
Veronica Hurst’s fiancé Richard Carlson becomes estranged as he takes possession of his ancestral Scottish castle, harbouring a dark secret. Atmospherically filmed in 3D in 1953, this fringe SF production is hampered by an oft-ridiculed climax. 6/10
Christian mutants and Satanist “norms” must unite against evil marauders in the nuclear-scarred ruins of New York in this 1952 curio set in 3000 A.D. A good cast and an interesting idea butt heads with a clunky script and an inexperienced director. 4/10