Conquest of Man

The Monster Maker

J. Carroll Naish is the mad scientist in this 1944 low budget effort from Poverty Row outfit PRC, a man trying to win the affections of a woman by infecting her father with the deforming syndrome acromegaly. If you can get past the gruesome premise, it’s a pretty decent horror SF programmer with unusually good performances. 4/10

Voodoo Man

Horror icons George Zucco and John Carradine join Bela Lugosi in his last film at Poverty Row studio Monogram, for one of the most bizarrely funny so-bad-it’s-good sci-fi horror films of the forties. Unfortunately giggles aren’t enough to lift this film out of the ruts, although it is a must-watch for the wonderful Voodoo seances with Carradine and Zucco immensely enjoying the insanity of it all. 2/10

The Mad Ghoul

Universal horrors in the forties were not only Wolf Men and Frankensteins. This 1943 low budget entry is a standalone feature, and it’s not bad. It’s subject matter is rather gruesome, but it cleverly bypasses the Hays Code. An early zombie movie, it does suffer from a thin script and too much operetta. 5/10

Revenge of the Zombies

A good black supporting cast led by comedian Mantan Moreland saves this 1943 film, directed by The Day of the Triffids director Steve Sekely. John Carradine sleepwalks through his second outing as a mad scientist, this time creating zombies out of his staff and even his own wife. The white heroes of the movie are really just killing time between Moreland’s comedy skits. 4/10.

Captive Wild Woman

Director Edward Dmytryk cuts and pastes together a surprisingly coherent and enjoyable tale of a gorilla being turned into a woman by a nutty John Carradine in his first mad scientist role. The 1943 film made the mysterious Acquanetta an over-night star, and garnered two sequels, despite the fact that one third of the movie is reused footage from an old lion-taming film. 5/10

Frankenstein Meets the Wolf Man

Universal’s first monster mashup, made in 1943, is an audience divider. Some enjoy it as a brainless schlockfest, while others find the denigration of the Frankenstein franchise painful to watch. Arguably miscast from the start as the Frankenstein monster, Bela Lugosi saw all his lines cut in the editing room. 4/10

The Ape Man

Bela Lugosi tries to convince the audience that he looks like a gorilla by wearing a false beard in Monogram’s 1943 cheapo directed by William “One Shot” Beaudine. A treat for fans of really bad movies, this one is a real clunker. 1/10