Conquest of Man

1984

The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10

The Gamma People

Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10

Warning from Space

Friendly star-shaped aliens try to warn Tokyo’s inhabitants of a planetary collision. Humans flee in fear at the sight of the alien starfish, so one of them shape-shifts and infiltrates. This 1956 colour spectacle is entertaining but contrived. 5/10

Una movida chueca

A well-meaning goofball is injected with a serum that allows him to see future events. Suddenly there is no end of people wanting to take advantage of the kind-hearted tramp. This Mexican 1956 effort is a minor film for comedian Clavillazo. 4/10

Day the World Ended

A small group of survivors hole up in a bungalow after a nuclear war, hoping to outlast the fallout and the mutants raging beyond the picket fence. Roger Corman directs the 1955 cheapo efficiently, but it spends too long treading water. 3/10

Tarantula

A scientist trying to end hunger creates a giant spider that runs amok in a small desert community. This 1955 classic is not director Jack Arnold’s best work, but even so, it’s one of the best giant critter movies of the 50’s. 6/10

Timeslip

Reporters and police investigate a nuclear scientist living 7.5 seconds ahead of time in this British 1955 quota quickie. Ken Hughes directs solidly and the American stars turn in good performances, but the script fails to live up to its premise. 5/10

Bride of the Monster

Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10

The Invisible Avenger

An invisible ex-soldier breaks up a mob gang and saves a nightclub singer in Toho’s 1954 SF noir. An interesting premise of war-time test subjects living as outcasts is sadly pushed out by the clichéd gangster plot. Film has its moments, though. 4/10

The Atomic Kid

US scientists, Soviet spies and peanut butter brands want to know how Mickey Rooney survived a nuclear explosion in this 1954 comedy from Republic. Rooney puts on his best radioactive glow in order to compensate for a messy and dull script. 2/10