Inspired by Flash Gordon and The Phantom Empire, the young Republic Studios launched their own sci-fi serial in 1936, and the result was an action-packed, but rather brainless concoction. Occasional good design and an energetic Crash Corrigan can’t save this badly scripted Atlantis-themed hodgepodge. 3/10
Mexico’s first science fiction feature film is an intriguing curio that involves a team of scientists trying to capture the last image recorded in a dead person’s eyes. Highly derivative of US genre films, but competently made and quite entertaining. 5/10
Peter Lorre shines as a mad surgeon who grafts the hands of an executed killer onto the stumps of an injured piano player. Based on Maurice Renard’s novel The Hands of Orlac, the body horror of the book takes a backseat to Lorre’s deranged sexual fantasies about the pianist’s beautiful wife in this 1935 adaptation by horror greats Karl Freund and John L. Balderston. 7/10
Based on H. Rider Haggard’s novel, this 1935 production from the creators of King Kong is as old-fashioned an adventure story as they come, as our intrepid heroes seek the secret to immortal life in a lost city ruled by an evil queen. It’s a creaky bag of hokum, but childishly entertaining, and the massive Art Deco sets are deliriously wonderful. 5/10
With Bride of Frankenstein James Whale created the greatest of all Universal horror films. Superb acting, great casting, a script that balances between drama, horror and campy humour, all rounded up with fluid, Expressionist filmmaking and Soviet-style montage editing. All this, plus the marvellous Elsa Lanchester as the Bride, Boris Karloff in high form, and a chilly, funny, scary Ernest Thesiger. Greatness abounds, but thematically the film is a bit sloppy. 9/10
If you’re into canine snuff films, then look no further. For everyone else, the final scene of this strange low-budget 1935 production will prove painful watching, as it involves actual documentary footage of a scientist trying to bring a dead terrier back to life (and succeeding!). The surrounding fictional plot is of little importance. Even Universal thought this was too macabre stuff and sat on the prints until they were quietly sold off later. Onslow Stevens and Valerie Hobson are wasted on a terrible script. 2/10
The most distinctly science fictional of Universal’s classic horror franchise, this 1933 movie directed by James Whale took the world by storm thanks to the terrific acting of Claude Rains, astounding special effects and a witty script laced with dark comedy. By many considered the best H.G. Wells adaptation ever made. 8/10.