Universal’s House of Frankenstein sees Boris Karloff as a mad scientist hiring Dracula as a hit man, attempting to cure the Wolf Man and restart the Frankenstein monster. All while J. Carrol Naish’s hunchback is trying to bonk a gypsy girl who’s in love with the werewolf. While the nutty story can be entertaining, this 1944 film’s downfall is its contrived plot and structure. 4/10
Horror icons George Zucco and John Carradine join Bela Lugosi in his last film at Poverty Row studio Monogram, for one of the most bizarrely funny so-bad-it’s-good sci-fi horror films of the forties. Unfortunately giggles aren’t enough to lift this film out of the ruts, although it is a must-watch for the wonderful Voodoo seances with Carradine and Zucco immensely enjoying the insanity of it all. 2/10
Universal horrors in the forties were not only Wolf Men and Frankensteins. This 1943 low budget entry is a standalone feature, and it’s not bad. It’s subject matter is rather gruesome, but it cleverly bypasses the Hays Code. An early zombie movie, it does suffer from a thin script and too much operetta. 5/10
A good black supporting cast led by comedian Mantan Moreland saves this 1943 film, directed by The Day of the Triffids director Steve Sekely. John Carradine sleepwalks through his second outing as a mad scientist, this time creating zombies out of his staff and even his own wife. The white heroes of the movie are really just killing time between Moreland’s comedy skits. 4/10.
Universal’s first monster mashup, made in 1943, is an audience divider. Some enjoy it as a brainless schlockfest, while others find the denigration of the Frankenstein franchise painful to watch. Arguably miscast from the start as the Frankenstein monster, Bela Lugosi saw all his lines cut in the editing room. 4/10
Lionel Atwill and his hardy troop of bit-part players and slumming has-beens bravely fight their way through an inane and disjointed script on a shoestring budget. Director Joseph H. Lewis adds touches of class to this odd mad scientist/South Seas adventure horror screwball comedy. 3/10
One of five films that Columbia made with Boris Karloff, more or less from one and the same script, this 1940 cryonics film is competently made and quite enjoyable. At least you’ll get a few chuckles out of the utterly silly science, like doctors reviving patients from cryostasis with pots of hot coffee. 5/10