The Werewolf
Evil scientists turn an unwitting family man into a werewolf and let him loose in a sleepy small town. Made on a shoestring with bit-part actors, this 1956 Columbia melodrama packs some nice visuals and interesting, adult themes. 6/10.
The Black Sleep
While Basil Rathbone, Herbert Rudley & Akim Tamiroff pull their weight in this talky 1956 monster mash, it’s incomprehensible that Lon Chaney, John Carradine, Bela Lugosi & Tor Johnson have all been consigned to shuffling mutely in the corners. 5/10
The Creature Walks Among Us
The third and final Gill-man film from 1956 toys with interesting fish-out-of-water themes. Despite competent direction and good acting, the low budget and aimless script fail to give this movie buoyance. 5/10
Top 25 Non-English SF Films Pre-1950
Much of the heritage in SF movies comes from non-English language films from the first half of the 20th century, many of which are largely unknown to an English-speaking audience today. Here we list the 25 greatest non-English language science fiction movies made prior to 1950. How many have you seen?
World Without End
The first US time machine film from 1956 is a fun but clunky Technicolor adventure. Astronauts accidentally travel 500 years into the future, where the meek, pacifist human survivors hide from barbaric mutants in an underground civilisation. 5/10
Indestructible Man
A 1956 cult classic, this gangster-monster mashup with Lon Chaney Jr. as a super-charged avenger suffers from the cutting of most of Chaney’s lines, and with them key scenes. Decent performances & good location shooting make it worth a watch. 3/10
Invasion of the Body Snatchers
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
Day the World Ended
A small group of survivors hole up in a bungalow after a nuclear war, hoping to outlast the fallout and the mutants raging beyond the picket fence. Roger Corman directs the 1955 cheapo efficiently, but it spends too long treading water. 3/10
The Quatermass Xperiment
In 1955 Hammer kickstarted its legendary horror franchise with a dark and unsettling adaptation of a 1953 TV series. An astronaut brings back an unspeakable horror from space, which begins its invasion of Earth by mutating its host. 8/10
Creature with the Atom Brain
Cult director Edward L. Cahn directs SF staple Richard Denning with a Curt Siodmak script in this 1955 consumable about gangster zombies with radioactive brains. An entertaining but forgettable atom age potboiler from Columbia. 4/10
Revenge of the Creature
The first sequel to Creature from the Black Lagoon sees the Gill-Man captured in a fish tank and prodded with sticks for “science”. Little is done with the interesting premise, and the thin script devolves into a routine monster-on-the-loose affair. 4/10
The Snow Creature
The first Hollywood movie about the Yeti sees the snowman stuck at the US immigrations office. But that is the only flash of originality in this amateurish slog from 1954, which settles for an unexciting urban monster hunt. 2/10
Creature from the Black Lagoon
Universal’s 1954 aquatic take on King Kong inspired an entire subgenre. Jack Arnold superbly directs this atmospheric story of an Amazon expedition in search of a prehistoric monster merman. But the clichéd script is the real missing link here. 7/10
El monstruo resucitado
As enthusiastic as it is bewildering, this operatic Mexican 1953 medical horror film is a clunky passion project. Throwing in everything but the kitchen sink, it’s a mix between The Phantom of the Opera, Frankenstein and Mystery of the Wax Museum. 6/10
Cat-Women of the Moon
The first “Amazon Women in Space” film, this 1953 low-budget clunker is one of the dumbest films ever made. However, despite its borrowed sets, atrocious acting and ludicrous script, it is thoroughly fun in its naivety. 3/10
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