Monster critters

Rodan

In 1956 Toho unveiled a brand new monster in its first colour kaiju movie. Direction by Ishiro Honda and special effectsare peak Toho, but devoid of social allegory, the script struggles to carry the sombre tone of the film. 6/10

Tarantula

A scientist trying to end hunger creates a giant spider that runs amok in a small desert community. This 1955 classic is not director Jack Arnold’s best work, but even so, it’s one of the best giant critter movies of the 50’s. 6/10

King Dinosaur

Bert I. Gordon’s 1955 directorial debut sees four scientists completely uninterested in exploring a new planet and doing “darn science stuff”. After battling stock footage and superimposed insects, they detonate a nuclear bomb and go home. 0/10

Them!

James Arness and Edmund Gwenn chase giant ants in this atmospheric 1954 SF horror thriller. The original giant bug film, considered by many to be the best. Good direction, solid acting and a smart script that taps into the era’s atomic fears. 8/10

Killers from Space

Famous for its villains with ping pong ball eyes, this 1953 low-budget entry sees Peter Graves abducted by aliens planning to invade the Earth. Sadly, the stale script isn’t nearly as fun as the design of the antagonists would suggest. 2/10

Cat-Women of the Moon

The first “Amazon Women in Space” film, this 1953 low-budget clunker is one of the dumbest films ever made. However, despite its borrowed sets, atrocious acting and ludicrous script, it is thoroughly fun in its naivety. 3/10

The Maze

Veronica Hurst’s fiancé Richard Carlson becomes estranged as he takes possession of his ancestral Scottish castle, harbouring a dark secret. Atmospherically filmed in 3D in 1953, this fringe SF production is hampered by an oft-ridiculed climax. 6/10

Mesa of Lost Women

A contender for the worst movie ever, this 1953 patch-job is a mind-boggling series of failures. Built upon existing footage from an unreleased picture, this one includes spider women, mad scientists and evil dwarfs, and still manages to be deadly dull. 0/10

The Devil Bat

Poverty Row studio PRC’s 1940 horror comedy is a terrible movie. Bela Lugosi plays a perfume maker who creates a Franken-bat and trains it to murder people wearing the new aftershave he sells them. Lugosi winks at the audience in a wonderful performance, and the madness of it all simply disarms the viewer. 5/10

The Vampire Bat

Dwight Frye, Fay Wray, Lionel Atwill and Melvyn Douglas star in this 1933 Poverty Row schlockfest, which is a lot better than its Majestic Pictures origin would imply. Filmed on the sets of Universal’s horror movies, it looks and feels like a prestige film, but sadly still has the script of a slapdash chashgrabber. 6/10