This 1932 sci-fi/adventure film has been called the first superhero movie. Bela Lugosi shines as the villain, William Cameron Menzies directs with style and the sets and special effects are very impressive. The inane plot is secondary in the breezy, fun juvenile adventure set in Egypt. 6/10
We were reached by the sad news today that one of the elder stateswomen of science fiction films, Julie Adams, has passed away at 92 years old. Adams, of course, is fondly remembered by fans of creature features as the female lead in Universal’s 1954 horror/sci-fi film Creature from the Black Lagoon.
This early colour film (1932), impeccably directed by Casablanca-maker Michael Curtiz, is a stylish and atmospheric old dark house thriller with a gruesome sci-fi twist. Unfortunately it’s also an attempt at Groucho Marx-style comedy with a Lee Tracy in the lead as a wise-cracking reporter, whose comedy repertoire isn’t up to the task. Fay Wray and Lionel Atwill shine, and the whole thing has the delicious look and feel of a faded pulp magazine. 7/10
By many considered as the best version of Stevenson’s classic book, this 1931 film resulted in an Oscar win for actor Fredric March. Beautifully filmed by Rouben Mamoulian and well acted across the board. It also features some stunning visual tricks and strong pre-Code sexual content. 8/10
Frankenstein (1931) is a masterpiece of camera, light and sound, which proved that sound films didn’t have to be static and clunky. By placing humanity at the film’s core and teasing superb performances out of Boris Karloff and Colin Clive, director James Whale saves it from a creaky script. A seminal piece for SF, horror and films in general. 9/10
This 1931 apocalypse film from French mastermind of the silent era, Abel Gance, is a turkey of epic proportions. The heavy-handed religious moral tale fails to cope with the restrictions of sound films, and the all too obvious script that fails to surprise or engage the viewer. 3/10
A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The film looks good, though. 3/10