“Mexico’s Charlie Chaplin” Cantinflas shines as a research assistant in this SF romcom from 1948. Big Oil and authorities chase poor Cantinflas across the movie, believing he has his dead professor’s formula for turning water into oil. A talky and unnecessarily long, but sympathetic effort. 5/10
Finland’s first science fiction film “Hormones on the Loose” from 1948 doesn’t boast a mad scientist as much as a mad patient. In this screwball comedy a stuck-up businessman realises his life is much better when an injection he receives reduces his mental state to that of a child’s. While it fails as a crazy-comedy, it has certain naive charm. 4/10
History was made in 1948 when the first live-action Superman graced the screen. The 15-part serial from Columbia is obviously made on a tight budget, somewhat hurting credibility, but it’s respectful to the source material and Kirk Alyn is a believable man of steel. The real star of the serial is Noel Neill as Lois Lane, though. 5/10.
Comedy star Heinz Rühmann shines as an alien who falls in love with an Earth woman while marvelling at the cruelty of the Earthlings. Made by artists who worked in Germany during the Nazi rule, this 1948 “mea culpa” is a stylishly filmed, but slow-moving, preachy and incoherent effort. 5/10
One of the greatest stars of Hollywood, Kirk Douglas, has passed away at 103 years old. Known for such films as Ace in the Hole (1951), Paths of Glory (1957) […]
Based on Karel Capek’s novel, this Czech 1948 film is the first to depict a nuclear holocaust. Otakar Vávra’s feverishly Expressionist direction follows the inventor of a new explosive having waking nightmares about the horror he has unleashed upon the world. While simplified and somewhat dumbed down, the story still follows the novel fairly closely. Scifist Rating: 7/10.
My very first zero-star review goes to a 1946 Mexican ”sci-fi comedy” starring a down and out Buster Keaton doing his best not to fall asleep on set. The script has three idiots landing a rocket in the middle of a Mexican city, thinking they are on the moon. That is the full plot. The best moments have Buster Keaton lifelessly repeating old gags from his silent era. The rest is a mess. Scifist rating: 0/10.
Universal’s third monster mash film from 1945 is a decent, if not necessarily worthy, farewell to the studio’s legendary ghouls. Despite flashes of originality, it feels as if we are re-heating the same TV dinner for the umpteenth time before the SF movies of the US caught up with the new post-war reality. Scifist Rating: 4/10
The third and final instalment of Universal’s Ape Woman series was released in 1945 to an indifferent audience. The film piles one mad scientist trope on another as a nutty egghead conspires to raise the ape woman from the dead, using the leading lady’s vital fluids to do so. Nevertheless, it’s high camp and fairly entertaining if you’re in the right mood. 3/10
Charlie Chan solves yet another murder mystery in this reasonably well made Monogram cheapo, aided by his #4 son and legendary black comedian Mantan Moreland. A whodunnit with a sci-fi MacGuffin in an old dark house with a fairly interesting cast led by Sidney Toler. Light fun, an incredibly convoluted plot, with some casual racism thrown in. 4/10.
Universal’s House of Frankenstein sees Boris Karloff as a mad scientist hiring Dracula as a hit man, attempting to cure the Wolf Man and restart the Frankenstein monster. All while J. Carrol Naish’s hunchback is trying to bonk a gypsy girl who’s in love with the werewolf. While the nutty story can be entertaining, this 1944 film’s downfall is its contrived plot and structure. 4/10
This 1944 faux-sequel to Monogram’s The Ape Man marked the end of Bela Lugosi’s stint at the Poverty Row studio. Here he is joined by a good cast and a seasoned director who nonetheless fail to bring life to this illogical “thawed-out-cave-man” yarn. It is better than its predecessor, though. 3/10
It was a trip to the moon in 1902 that gave birth to the narrative film, and propelled cinema forward. The theatrical fairy-tale A Trip to the Moon turned French director Georges Méliès into the uncrowned king of international cinema. The silent era provided some of the timeless classics of space films, whose influence is not only seen on screen even today, but that even had an impact on space travel itself. Hereby we present the 10 greatest space films of the silent era.
The fifth and final instalment in Universal’s Invisible Man Franchise was released in 1944 and treads familiar ground as an escapee turns invisible in order to exact revenge on his wrong-doers. John Carradine is delicious as the nutty scientist, scream queen Evelyn Ankers is underused and Jon Hall returns as the invisible menace for a second time. A messy script is saved by quality filmmaking. 5/10
The Roaring Twenties are back, albeit with perhaps less optimism about the future than a hundred years ago. At Scifist we’re taking some time to look back at the last year of the ‘teens, and we’re listing the 10 most popular reviews on the site in 2019.