Alraune

History’s perhaps most prolific female movie monster Alraune makes her fifth appearance in this German 1952 all-star adaptation. Trying to compromise with its outmoded source material, it loses its edge, but makes up for it with wonderful cinematography and design. 5/10

Min aina laka haza?

A scientist’s assistant turns himself invisible as to win the hand of his beloved. Egypt’s first SF movie from 1952 is a light-hearted musical comedy inspired by Universal’s Invisible Man films. Not very original, but aptly made and quite enjoyable. 5/10

Invasion, U.S.A.

Five American bar patrons who oppose the universal draft experience what a nuclear-fuelled invasion by the Soviet Union would entail. If one film should exemplify the hysterical red scare of the fifties, it is this low-budget propaganda piece from 1952.

April 1, 2000

Set in the year 2000, this propaganda musical comedy from 1952 protests the Allied occupation of Austria. More a cavalcade of Austria’s “greatest hits” than a narrative film, the movie features the creme de la creme of the country’s stage talent. 2/10

Captive Women

Christian mutants and Satanist “norms” must unite against evil marauders in the nuclear-scarred ruins of New York in this 1952 curio set in 3000 A.D. A good cast and an interesting idea butt heads with a clunky script and an inexperienced director. 4/10

Untamed Women

A hapless US bomber crew during WWII crash land on an island inhabited by a tribe of glamour girls in leather skirts, and dinosaur stock footage from One Million B.C. The result in this 1951 lost world potboiler is surprisingly dull. 1/10

The Whip Hand

This tense little 1951 thriller by W.C. Menzies had Hitler hiding in a US fishing village. RKO owner Howard Hughes wanted the Commies to be the bad guys instead, so it was reshot with Red Scare hysterics. Still, the genius of the original shines through. 7/10.

Red Snow

This 1952 cold war spy thriller sees Inuit actor Ray Mala battling the Arctic cold of stock footage lifted from half a dozen other films, including his own. A tacked-on plot about a Soviet super-weapon pales next to the great nature (stock) footage. 3/10

Monkey Business

Cary Grant, Ginger Rogers and Marilyn Monroe shine in this nutty 1952 screwball comedy where a nutty professor’s chimp invents a rejuvenation serum, with hilarious results. Howard Hawks’ direction overcomes the thin script. 7/10

Red Planet Mars

A scientist receives messages from Mars, and the sender appears to be Jesus Christ himself. However, it is all a commu-nazi trick to destroy Western capitalism. Or is it? Would this 1952 red scare film not have taken itself so utterly seriously, it might have been fun. 1/10

Superman and the Mole-Men

The first Superman feature film debuted in 1951 with legendary George Reeves in shoulder pads and a winning grin. Despite a decent budget, it’s shoddy and thinly scripted, although its sincere call for solidarity and inclusiveness carries on the original vision of the comic, and might just win you over. 4/10.

Flight to Mars

The first team of explorers to Mars are welcomed and double-crossed by a Martian civilisation attempting to hijack their rocket and invade Earth. A 1951 low-budget effort by Monogram, the movie’s striking for its visuals, but badly scripted and routinely directed. 5/10.

The Son of Dr. Jekyll

Edward Jekyll tries to clear his family name by recreating his father’s experiments, but a scandal-hungry society, his friends and even his own sanity seems to conspire against him. A laudable, but meandering 1951 low-budget effort from the pen of Jack Pollexfen. 4/10