Dr. Jekyll gets a family in this Argentine rarity from 1951, which is probably the earliest preserved non-US adaptation of R.L. Stevenson’s famous novella. Actor/director Mario Soffici impresses both in the dual title role and with his moody, impressionist lighting schemes and editing.
Originally posted on scifist 2.0:
∗∗∗∗∗∗∗∗∗∗ (1/10) In 1950 former ballet master and style adviser to Mae West, Boris Petroff, produced a bewildering mishmash of pirates, Australian farm romance, western action…
An Oscar nominee for best picture, MGM:s 1950 adaptation of H. Rider Haggard’s adventure novel dazzled audiences with its Technicolor images of African wildlife and exotic natives. However, the film more closely resembles a nature documentary than a work of narrative cinema. 3/10
In 1950 former ballet master and style adviser to Mae West, Boris Petroff, produced a bewildering mishmash of pirates, Australian farm romance, western action and slurpasaurs starring later TV star James Arness. Two Lost Worlds is a low-budget patch job with new dialogue scenes edited to fit action sequences from at least three other movies. 1/10
The second of the proto-James Bond films featuring Dick Barton, special agent pitches Dick and sidekick Snowy against a megalomaniac villain with a death ray machine. While the script and direction are weak, the movie has some rather enjoyable spots. Watch out for The Avengers star Patrick MacNee. 3/10
In 1950 Hollywood finally produced its first first serious, big-budget space film. With the help of luminaries like Robert Heinlein, Hermann Oberth and Chesley Bonestell, future SF icon George Pal produced a visually stunning but dramatically stale epic, heavily influenced by the red scare. 6/10
Poverty Row studio Lippert Pictures rushed Rockethip X-M into theatres in 1950, ahead of the much-hyped big-budget production Destination Moon, claiming the title of the first American space exploration movie. Despite its cash-grab nature, in some ways it actually surpasses its heavy-going “original”. 6/10
Despite the viral marketing, the first American UFO warning turns out to be a false alarm. Alien visitors are notably absent from The Flying Saucer (1950), which plays like low-budget cold war spy serial interlaced with a promotional film for the Alaskan outback. 1/10
Originally produced as a propaganda short for General Motors, and then stretched to feature length, this 1940/1945 low-budget affair by radio legend Arch Oboler is as curious as it is flawed. Claude Rains stars as a man returning to the city from a fishing trip only to find that the US has been taken over by fascists. 2/10
In 1945 the world still had time for one decent old-school mad scientist film before the genre imploded on itself. Swedish heart-throb Nils Asther shines in a Dorian Gray-inspired major studio production by Paramount about a 120 year old genius searching for the secret of everlasting life, while telling everyone around him that he is only 35. 6/10
The first anthology TV show to feature science fiction, Lights Out was adapted from a popular horror radio show in the US in 1949. Lights Out sports an impressive roster of actors and writers, but it struggles somewhat to transfer what was so great about the radio program to the screen. 5/10
A rare gem, Japan’s earliest preserved science fiction film The Invisible Man Appears is more inspired by Universal’s Invisible Man films than H.G. Wells’ novel. This 1949 crime mystery drama meets tokusatsu film boasts the special effects of the great Eiji Tsuburaya and some good performances. 5/10
The first science fiction TV show aired as a live broadcast in the US every weekday for almost six years beginning in 1949, totalling in over 1,500 episodes. Aimed at a kiddie audience, the show was cheap and shoddy, even compared to its film serial inspirations, but involved writing talent such as Isaac Asimov, Jack Vance, Arthur C. Clarke and James Blish. 3/10
A university professor invents a wood-repelling baseball and decides to become a star pitcher in order to get enough money to marry one of his students. Ray Milland stars in this predictable 1949 major studio comedy which offers more feelgood than belly laughs. 4/10
A screwball comedy highlighting the confused gender politics of 1949, this very British doorswinger farce sees Bertie and Jeeves taking out a female robot for a night on the town. If you can get over the dated premise and tone, it’s quite an enjoyable and well-made comedy. 5/10
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