This obscure Mexican medical horror from 1936 is a surprisingly well-made and entertaining mad scientist melodrama cut from a Hollywood template. While tame by today’s standards, its scenes with hack-off limbs and gore-filled trunks raised a few eyebrows back in the day. 6/10
One of five films that Columbia made with Boris Karloff, more or less from one and the same script, this 1940 cryonics film is competently made and quite enjoyable. At least you’ll get a few chuckles out of the utterly silly science, like doctors reviving patients from cryostasis with pots of hot coffee. 5/10
Brought to you by the creators of King Kong, this 1940 outing is one of the first “shrunken people” films, set in the Peruvian Jungle and filmed in atmospheric Technicolor. Despite its superb premise and wonderful effects, the script is unfortunately somewhat pedestrian. 7/10
Even if Boris Karloff and Bela Lugosi were the marquee names for this 1940 gangster/brain transplant mashup written by Curt Siodmak, it is unheralded actor Stanley Ridges who steals the show in his dual role as fussy professor and cold blooded mobster boss. 5/10
Horror icon Vincent Price takes over the empty shirt and trousers of Claude Rains in The Invisible Man Returns (1940). Universal was still making good sequels to their horror films, although this one does clearly fall into B-movie category. But this is a good B-movie, well acted, well filmed and well received, but a harmless Hollywood sequel nonetheless. 7/10
The only real reason to watch this clumsily plotted gangster/horror/SF mashup is to witness a reluctant Humphrey Bogart play a ghoul. This 1939 effort from Warner is a mad scientist yarn about medical vampirism and synthetic blood based, on a novella by William Makin. 4/10
A bullied college student is injected with an insect serum that gives him superhuman powers, but create as much problems as solutions. Inspired by Philip Wylie’s novel, this heartwarming but derivative 1938 slapstick comedy showcases the forgotten talents of one-time box office magnet Joe E. Brown. 6/10
A scientist performs illegal experiments on murderers aboard a ship, hoping to turn evil people good with the help of invasive hormone therapy. Vaguely suggested by a Jack London story, this 1939 cheapo from PRC fails to do anything interesting with its lurid premise, despite a good cast and White Zombie’s director at the helm. 2/10
Boris Karloff shines as the lone star in his first of five mad scientist films for Columbia Pictures’ B-movie unit in 1939. Made on a shoestring budget, this medical sci-fi turned old dark house revenge thriller is entertaining but predictable. 5/10
Basil Rathbone is the son of Frankenstein who moves back to his father’s castle, only to find Boris Karloff and Bela Lugosi hiding in the basement. The latter gives what is perhaps the performance of his lifetime in this visually stunning movie, which unfortunately treats Karloff’s classic monster with little respect. 7/10
Gentleman adventurer Bulldog Drummond gets into hot water as he chases a mysterious villain who’s stolen a death ray machine in this 1938 spy-fi romp. It’s a silly but fun little film, and the British ensemble cast shines. 6/10
Based on Karel Capek’s play, this 1937 Czechoslovakian dystopia is a thinly veiled allegory on the Nazis. A pacifist doctor finds a cure to a mysterious “white plague” and with it tries to blackmail the ruling class into signing a peace treaty. Future Hollywood director Hugo Haas makes a poignant, but slow-paced dark satire. 6/10
The birth of cinema coincided with a period of huge technological advances, followed by radical social upheaval. No surprise, then, that the silent era was a golden age for futuristic movies. Here we have gathered the ten best of the lot.
The actors know how to hit their marks and the DP is capable of setting up a shot in the 1937 remake of the equally bad 1936 film Ghost Patrol. A government agent and a bride on the run are captured by a gang of criminals using a death ray to shoot mail planes from the sky. Oscar winner Hattie McDaniel is criminally underused. 1/10
The first sound adaptation of H. Rider Haggards lost world novel benefits from location shooting in Africa, a faithful script and good acting. Paul Robeson shines, even though his out-of-place song numbers strain the picture’s credibility. Despite a somewhat rushed plot and thin characters, this is a fun Sunday afternoon adventure yarn. 6/10
