Science Fiction

Rodan

In 1956 Toho unveiled a brand new monster in its first colour kaiju movie. Direction by Ishiro Honda and special effectsare peak Toho, but devoid of social allegory, the script struggles to carry the sombre tone of the film. 6/10

Man Beast

Connie Hayward leads an expedition into the Himalayas to find her brother, lost on a yeti hunt. Schlockmeister Jerry Warren’s debut movie is probably his best. Not that the bar is set particularly high. 4/10

The Mole People

Archaeologists led by SF staple John Agar are captured by a lost underground civilisation in Universal’s 1956 movie. It’s not without its merits, but hampered by a weak script and a low budget. 4/10

Jungle Hell

UFO’s hover over Sabu & friends as they investigate the mystery of radioactive rocks found in India, among an endless stream of stock footage elephants. This 1956 curio was cobbled together from a failed TV pilot. 1/10

X the Unknown

A primordial radioactive mud creature threatens the Scottish countryside in Hammer’s taut and atmospheric 1956 Quatermass knockoff. As a film it is a footnote, but notable for gathering the Hammer Horror roster. 6/10

The Werewolf

Evil scientists turn an unwitting family man into a werewolf and let him loose in a sleepy small town. Made on a shoestring with bit-part actors, this 1956 Columbia melodrama packs some nice visuals and interesting, adult themes. 6/10.

Satellite in the Sky

The UK’s 1956 answer to Destination Moon is visually impressive, but marred by a tedious script and uninspired direction. But it does offer a chance to see Lois Maxwell before her Miss Moneypenny fame, and Thespian Donald Wolfit in a space suit. 5/10

Los platillos voladores

A poor young couple escape their small town in a rocket car and crash land in Mexico City, where they are mistaken for Martians. This Mexican 1956 musical comedy is thin on plot and substance, but charms with its good cast and sincerity. 6/10

Hilfe ich bin unsichtbar

An amateur inventor turns himself invisible, and is only able to reverse the effect by drinking alcohol. The gag is all that carries this German 1951 SF comedy, and it doesn’t carry it far enough, despite a great cast and and a seasoned director. 2/10