Science Fiction

The Man with Nine Lives

One of five films that Columbia made with Boris Karloff, more or less from one and the same script, this 1940 cryonics film is competently made and quite enjoyable. At least you’ll get a few chuckles out of the utterly silly science, like doctors reviving patients from cryostasis with pots of hot coffee. 5/10

Dr. Cyclops

Brought to you by the creators of King Kong, this 1940 outing is one of the first “shrunken people” films, set in the Peruvian Jungle and filmed in atmospheric Technicolor. Despite its superb premise and wonderful effects, the script is unfortunately somewhat pedestrian. 7/10

Black Friday

Even if Boris Karloff and Bela Lugosi were the marquee names for this 1940 gangster/brain transplant mashup written by Curt Siodmak, it is unheralded actor Stanley Ridges who steals the show in his dual role as fussy professor and cold blooded mobster boss. 5/10

The Invisible Man Returns

Horror icon Vincent Price takes over the empty shirt and trousers of Claude Rains in The Invisible Man Returns (1940). Universal was still making good sequels to their horror films, although this one does clearly fall into B-movie category. But this is a good B-movie, well acted, well filmed and well received, but a harmless Hollywood sequel nonetheless. 7/10

The Return of Doctor X

The only real reason to watch this clumsily plotted gangster/horror/SF mashup is to witness a reluctant Humphrey Bogart play a ghoul. This 1939 effort from Warner is a mad scientist yarn about medical vampirism and synthetic blood based, on a novella by William Makin. 4/10

The Gladiator

A bullied college student is injected with an insect serum that gives him superhuman powers, but create as much problems as solutions. Inspired by Philip Wylie’s novel, this heartwarming but derivative 1938 slapstick comedy showcases the forgotten talents of one-time box office magnet Joe E. Brown. 6/10

Torture Ship

A scientist performs illegal experiments on murderers aboard a ship, hoping to turn evil people good with the help of invasive hormone therapy. Vaguely suggested by a Jack London story, this 1939 cheapo from PRC fails to do anything interesting with its lurid premise, despite a good cast and White Zombie’s director at the helm. 2/10