A 1935 communist propaganda film with quite a few enjoyable quirks. Capitalists and communists fight over an army of robots that is controlled by saxophone. Based on a story by “The Jules Verne of Ukraine” and directed with a certain expressionist and avantgarde flair, the film is not without its merits, although the acting is stiff and amateurish and the script and dialogue leave room for improvement. 5/10
Not even the worst serial acting in the history of bad serial acting is able to completely sink this brilliantly delirious sci-fi western musical comedy starring western and country legend Gene Autry. The film combines wild west adventure, lost Atlantis-type fantasy, Flash Gordon tropes and country singing in one of he most bizarre train wrecks of film history. 4/10
If you’re into canine snuff films, then look no further. For everyone else, the final scene of this strange low-budget 1935 production will prove painful watching, as it involves actual documentary footage of a scientist trying to bring a dead terrier back to life (and succeeding!). The surrounding fictional plot is of little importance. Even Universal thought this was too macabre stuff and sat on the prints until they were quietly sold off later. Onslow Stevens and Valerie Hobson are wasted on a terrible script. 2/10
A mad scientist, an army of killer robots, a grieving widow and a dashing hero. There are the ingredients for the German 1934 film Der Herr der Welt film by action hero Harry Piel. Perhaps his darkest movie, and one of the few where he doesn’t appear on screen. A predictable script and flat filming, but the acting is good and the special effects not bad either. 4/10
This smart, well filmed and very successful 1934 film marked the beginning of the end for German science fiction before the Nazis banned the genre. Best remembered for its impressive futuristic sets and superb effects, this film is on the talkier side. It’s secret weapons are German superstars Hans Albers and Brigitte Helm. 7/10.
The most distinctly science fictional of Universal’s classic horror franchise, this 1933 movie directed by James Whale took the world by storm thanks to the terrific acting of Claude Rains, astounding special effects and a witty script laced with dark comedy. By many considered the best H.G. Wells adaptation ever made. 8/10.
Rushed into German theatres two months before James Whale’s The Invisible Man in 1933, this film is directed by and stars Germany’s biggest action star Harry Piel. Aided by functioning but crude special effects, a cash-strapped taxi driver stumbles upon an invisibility helmet. Forced comedy and a predictable script are remedied by great action sequences and a breezy pace. 5/10