A scientist performs illegal experiments on murderers aboard a ship, hoping to turn evil people good with the help of invasive hormone therapy. Vaguely suggested by a Jack London story, this 1939 cheapo from PRC fails to do anything interesting with its lurid premise, despite a good cast and White Zombie’s director at the helm. 2/10
Boris Karloff shines as the lone star in his first of five mad scientist films for Columbia Pictures’ B-movie unit in 1939. Made on a shoestring budget, this medical sci-fi turned old dark house revenge thriller is entertaining but predictable. 5/10
Basil Rathbone is the son of Frankenstein who moves back to his father’s castle, only to find Boris Karloff and Bela Lugosi hiding in the basement. The latter gives what is perhaps the performance of his lifetime in this visually stunning movie, which unfortunately treats Karloff’s classic monster with little respect. 7/10
Gentleman adventurer Bulldog Drummond gets into hot water as he chases a mysterious villain who’s stolen a death ray machine in this 1938 spy-fi romp. It’s a silly but fun little film, and the British ensemble cast shines. 6/10
Based on Karel Capek’s play, this 1937 Czechoslovakian dystopia is a thinly veiled allegory on the Nazis. A pacifist doctor finds a cure to a mysterious “white plague” and with it tries to blackmail the ruling class into signing a peace treaty. Future Hollywood director Hugo Haas makes a poignant, but slow-paced dark satire. 6/10
The birth of cinema coincided with a period of huge technological advances, followed by radical social upheaval. No surprise, then, that the silent era was a golden age for futuristic movies. Here we have gathered the ten best of the lot.
The actors know how to hit their marks and the DP is capable of setting up a shot in the 1937 remake of the equally bad 1936 film Ghost Patrol. A government agent and a bride on the run are captured by a gang of criminals using a death ray to shoot mail planes from the sky. Oscar winner Hattie McDaniel is criminally underused. 1/10