Science Fiction

High Treason

This 1929 film was Britain’s attempt to create its own Metropolis. The stunning art deco visuals are counteracted by a clumsy and overtly naive script. Maurice Elvey’s direction is fluid and competent, but the actors are stuck with paper-thin characters who lack motivation. Modern viewers of this pacifist yarn set in 1940 will marvel at the accurate predictions of things like TV and Skype. (5/10)

The Mysterious Island

Borrowing the name of Jules Verne’s bestseller, this problem-ridden 1926-1929 production features good acting, some remarkable special effects and a solid-ish script, but alas, the schizophrenic semi-talkie-semi-silent film is just as equally horrible in many ways, with toy submarines and crocodiles substituting for dinos. (4/10)

Alraune

A misogynist but still fairly entertaining sci-fi/fantasy film from Germany about a soulless woman artificially produced from the semen of a hanged murderer and the womb of a prostitute. Worth watching for the ever alluring Brigitte Helm in the lead. (5/10)

Charleston Parade

In a nutshell: A bonkers short subject by master director Jean Renoir from 1927 shows an African explorer in a spacecraft discovering a white native woman in a post-apocalyptic Paris, and they dance the Charleston for ten minutes. (5/10)

Metropolis

The plot may be meandering and the political message naive, but the thematic and visual influence of Austrian director Fritz Lang’s exciting 1927 masterpiece Metropolis is rivalled by few in science fiction and in film in general. A great, entertaining, sprawling epic in a future tower of Babylon. (10/10)