The forties was not a good time for SF movies. But the genre sputtered along with mad scientist B-movies turned out by Hollywood. The decade produced none of the immortal classics of the twenties and thirties, but hidden among the low-budget dregg, one can find a few genuine gems worthy of more recognition.
Universal’s House of Frankenstein sees Boris Karloff as a mad scientist hiring Dracula as a hit man, attempting to cure the Wolf Man and restart the Frankenstein monster. All while J. Carrol Naish’s hunchback is trying to bonk a gypsy girl who’s in love with the werewolf. While the nutty story can be entertaining, this 1944 film’s downfall is its contrived plot and structure. 4/10
This 1944 faux-sequel to Monogram’s The Ape Man marked the end of Bela Lugosi’s stint at the Poverty Row studio. Here he is joined by a good cast and a seasoned director who nonetheless fail to bring life to this illogical “thawed-out-cave-man” yarn. It is better than its predecessor, though. 3/10
Horror icons George Zucco and John Carradine join Bela Lugosi in his last film at Poverty Row studio Monogram, for one of the most bizarrely funny so-bad-it’s-good sci-fi horror films of the forties. Unfortunately giggles aren’t enough to lift this film out of the ruts, although it is a must-watch for the wonderful Voodoo seances with Carradine and Zucco immensely enjoying the insanity of it all. 2/10
Universal horrors in the forties were not only Wolf Men and Frankensteins. This 1943 low budget entry is a standalone feature, and it’s not bad. It’s subject matter is rather gruesome, but it cleverly bypasses the Hays Code. An early zombie movie, it does suffer from a thin script and too much operetta. 5/10
A little diamond in the rough, this 1942 ape-man melodrama from 20th Century Fox features Ersatz horror icons J. Carrol Naish and George Zucco. While suffering from scripting and pacing problems, the movie has a smidgen of depth, owing to its literary roots. 6/10
Poverty Row studio PRC tried to ride the werewolf wave in 1942 with this Sam Newfield production starring Glenn Strange as a slouch hat-wearing monster and George Zucco as the zany scientist. Not the studio’s worst outing, but at 77 minutes it overstays its welcome. 3/10
Gentleman adventurer Bulldog Drummond gets into hot water as he chases a mysterious villain who’s stolen a death ray machine in this 1938 spy-fi romp. It’s a silly but fun little film, and the British ensemble cast shines. 6/10