Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
A plastic surgeon believes that by giving a scarred female criminal a pretty new face, he can reform her. The twist in this 1952 Hammer entry by Terence Fisher is that the surgeon gives the criminal the face of the woman he loves, and marries her. 5/10
A lady entomologist channels her inner secret agent when sent on a dangerous mission to an Eastern European country in this British 1950 spy-fi comedy thriller written by author Eric Ambler. 6/10
Robert Siodmak shows his skill as a director in this early 1942 screwball comedy starring later SF star Richard Carlson and Oscar nominee Nancy Kelly, as they chase a Nazi superweapon, trying to prove Carlson’s innocense in a murder case. 7/10
The famous 1925 adaptation of H. Rider Haggard’s novel is best remembered for Betty Blythe’s varied states of undress. While UFA provides handsome set pieces, the British production falters in the directing and cinematography departments. 3/10
Universal’s 1925 silent melodrama is a riches-to-rags story on steroids, focusing on the inventor of a video phone. With money and fame he neglects his wife, who secretly holds 50 percent of his company. A competent but forgettable programmer. 5/10
A well-produced spy-fi melodrama of the serial mold, this 1916 silent scripted by pioneer Julia Crawford Ivers may be the earliest preserved American science fiction feature film. Frank Lloyd’s nifty directorial touches add to its appeal. 6/10
Percy Stow was one of the pioneers of British trick films, and often took on science fiction subjects in his short films made between 1901 and 1915. In these he showcased high technical quality and a touch of originality.
A photo of a UFO propels journalist Tore Haugen into a stellar career, while her colleague and husband becomes a stay-at-home dad. This well-made Norwegian marital comedy from 1956 manages to be progressive and reactionary at the same time. 7/10
The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10
This is a post to thank all my regular readers and followers. I have now written my last movie review based on writings from my old, locked blog, and am setting forth towards the great unknown. Please join me on my journey!
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10
Friendly star-shaped aliens try to warn Tokyo’s inhabitants of a planetary collision. Humans flee in fear at the sight of the alien starfish, so one of them shape-shifts and infiltrates. This 1956 colour spectacle is entertaining but contrived. 5/10
A well-meaning goofball is injected with a serum that allows him to see future events. Suddenly there is no end of people wanting to take advantage of the kind-hearted tramp. This Mexican 1956 effort is a minor film for comedian Clavillazo. 4/10