The Net

Britain’s first SF movie of the fifties, this well-filmed little 1953 thriller follows the secret testing of a supersonic aircraft. Good acting and tight direction helps to counterbalance a meandering melodrama that leaves the film unsure of itself. 5/10

Top 10 Sci-Fi Films of the 1940s

The forties was not a good time for SF movies. But the genre sputtered along with mad scientist B-movies turned out by Hollywood. The decade produced none of the immortal classics of the twenties and thirties, but hidden among the low-budget dregg, one can find a few genuine gems worthy of more recognition.

The War of the Worlds

An everlasting classic and a pioneering work, George Pal’s 1953 alien invasion epic set the standard for visuals in SF movies. Unfortunately, in removing itself from H.G. Wells’ themes, the script loses both its poignancy and its dramatic functionality. 7/10

The Magnetic Monster

Science goes horribly wrong when an unstable element threatens to sling the Earth out of orbit. SF legend Richard Carlson stars in this 1953 Curt Siodmak effort. Hokey and low budget, but it charms its way into being one of the best SF movies of the fifties. 7/10

Alraune

History’s perhaps most prolific female movie monster Alraune makes her fifth appearance in this German 1952 all-star adaptation. Trying to compromise with its outmoded source material, it loses its edge, but makes up for it with wonderful cinematography and design. 5/10

Min aina laka haza?

A scientist’s assistant turns himself invisible as to win the hand of his beloved. Egypt’s first SF movie from 1952 is a light-hearted musical comedy inspired by Universal’s Invisible Man films. Not very original, but aptly made and quite enjoyable. 5/10

Invasion, U.S.A.

Five American bar patrons who oppose the universal draft experience what a nuclear-fuelled invasion by the Soviet Union would entail. If one film should exemplify the hysterical red scare of the fifties, it is this low-budget propaganda piece from 1952.

April 1, 2000

Set in the year 2000, this propaganda musical comedy from 1952 protests the Allied occupation of Austria. More a cavalcade of Austria’s “greatest hits” than a narrative film, the movie features the creme de la creme of the country’s stage talent. 2/10

Captive Women

Christian mutants and Satanist “norms” must unite against evil marauders in the nuclear-scarred ruins of New York in this 1952 curio set in 3000 A.D. A good cast and an interesting idea butt heads with a clunky script and an inexperienced director. 4/10

Untamed Women

A hapless US bomber crew during WWII crash land on an island inhabited by a tribe of glamour girls in leather skirts, and dinosaur stock footage from One Million B.C. The result in this 1951 lost world potboiler is surprisingly dull. 1/10

The Whip Hand

This tense little 1951 thriller by W.C. Menzies had Hitler hiding in a US fishing village. RKO owner Howard Hughes wanted the Commies to be the bad guys instead, so it was reshot with Red Scare hysterics. Still, the genius of the original shines through. 7/10.

Red Snow

This 1952 cold war spy thriller sees Inuit actor Ray Mala battling the Arctic cold of stock footage lifted from half a dozen other films, including his own. A tacked-on plot about a Soviet super-weapon pales next to the great nature (stock) footage. 3/10

Monkey Business

Cary Grant, Ginger Rogers and Marilyn Monroe shine in this nutty 1952 screwball comedy where a nutty professor’s chimp invents a rejuvenation serum, with hilarious results. Howard Hawks’ direction overcomes the thin script. 7/10

Red Planet Mars

A scientist receives messages from Mars, and the sender appears to be Jesus Christ himself. However, it is all a commu-nazi trick to destroy Western capitalism. Or is it? Would this 1952 red scare film not have taken itself so utterly seriously, it might have been fun. 1/10