The first SF anthology TV show aired live in the US from 1951 to 1953. With material by some of the greatest SF authors of all time, its adult-oriented, intelligent scripts are often unsettling to watch even today. The cast boasts Leslie Nielsen, Rod Steiger, Paul Newman, Eva Gabor, James Dean, Joanne Woodward and many more. 6/10
A rare gem, Japan’s earliest preserved science fiction film The Invisible Man Appears is more inspired by Universal’s Invisible Man films than H.G. Wells’ novel. This 1949 crime mystery drama meets tokusatsu film boasts the special effects of the great Eiji Tsuburaya and some good performances. 5/10
In 1942 Universal reinvented the invisible man as a Nazi foil in the fourth movie of the franchise. Invisible Agent gets the A movie treatment, as is evident from an A list cast including Cedric Hardwicke, J. Edgar Bromberg and Peter Lorre. As a comedy the film falls flat, but it works better as a spy thriller. 5/10
The third ”invisible man” instalment from 1940 is a solid screwball comedy with a great female heroine, but hardly brings anything new to the table. Universal brings in an impressive roster of character actors, but the special effects are somewhat shoddy. 6/10
Horror icon Vincent Price takes over the empty shirt and trousers of Claude Rains in The Invisible Man Returns (1940). Universal was still making good sequels to their horror films, although this one does clearly fall into B-movie category. But this is a good B-movie, well acted, well filmed and well received, but a harmless Hollywood sequel nonetheless. 7/10
H.G. Wells and William Cameron Menzies take us on an epic journey through the future in this pompous 1936 social prophesy, the last big SF film before the 1950s. The most expensive film made in Britain at the time, Things to Come boasts incredible sets and effects, but the script is stiff, the acting wooden and the viewer bludgeoned to boredom with the message. 6/10
The most distinctly science fictional of Universal’s classic horror franchise, this 1933 movie directed by James Whale took the world by storm thanks to the terrific acting of Claude Rains, astounding special effects and a witty script laced with dark comedy. By many considered the best H.G. Wells adaptation ever made. 8/10.
Paramount’s 1932 adaptation of H.G. Wells’ novella The Island of Dr. Moreau is the best of all the legendary 1930s sci-fi/horror movies. The daring script touches upon highly controversial subjects, Karl Struss’ fantastic cinematography and lighting create a feverish tropical nightmare, Charles Laughton and Bela Lugosi are mesmerising in their roles and Charles Gemora’s makeup is some of the best ever created. 10/10
∗∗∗∗∗∗∗∗∗∗ (5/10) A scientist floats to Mars and is captured by Martians in this early American short film. Not a masterpiece, but a well made and intriguing little film. A […]
∗∗∗∗∗∗∗∗∗∗ (6/10) In 1908 Spanish master filmmaker Segundo de Chomon directed a carbon copy of Georges Méliès’ A Trip to the Moon. The result is professional, but uninspired. An Excursion […]
∗∗∗∗∗∗∗∗∗∗ (8/10) The first film based on H.G. Wells novel The Invisible Man is a 5 minute short with stunning special effects and superb acting, directed by Segundo de Chomon […]
∗∗∗∗∗∗∗∗∗∗ (6/10) An action-packed British short from 1909 depicting future warfare with missiles and airships. Walter Booth directs with typical energy and audacity and some of the physical effects are […]
Early cinema was the pulp fiction of its time: a crude and undistinguished novelty, and just as with other lower-tier entertainment, there were surefire moneymakers: nudity, shock, thrills and escapism. […]
This blog concerns science fiction films, not literature. But it would be unwise not to pay some homage to the roots of the genre. Here then, is a small essay […]
This 1902 film about a trip to the moon and an encounter with aliens is in many senses the first of its kind, notable for its large budget, entertaining and fantastical story, state of the art special effects and lavish, moving sets. A true benchmark not only for sci-fi films, but for the medium of film as a whole.