Category: Man-made monsters
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I Was a Teenage Frankenstein
A ruthless scientist creates a teenage monster in his basement and tries to hide it from his fiancée. Herman Cohen’s 1957 follow-up to the smash hit I Was a Teenage Werewolf is a slow-moving affair saved by a toungue-in-cheek script. 4/10
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The Body Snatcher
A mad scientists kills wrestlers and turns them into super-monsters. An up-and-coming wrestler agrees to act as bait for the killer, with disastrous results. The first Mexican luchador/monster mashup from 1957 may be the best. 6/10
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I Was a Teenage Werewolf
A mad scientist regresses a troubled teen into his primal state: a werewolf. AIP’s iconic low-budget horror was the frst starring role of Michael Landon. Beneath the cheeky facade, serious themes are explored. 5/10
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The Vampire
A doctor accidentally takes a pill which turns him into a vampire at night, and starts killing people. This 1957 low-budget production is surprisingly engaging thanks to a well-crafted script and good performances. 7/10
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The Man Without a Body
A dying businessman wants to replace his brain with that of Nostradamus, but Nostradamus has other plans. Low-budget SF legend W. Lee Wilder directed this unintentionally hilarious 1957 British clunker. 4/10
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Monster from Green Hell
US scientists trek through Africa, tracking down giant wasps in this 1957 Al Zimbalist schlocker. Over a third of the picture consists of stock footage, and what is left has few redeeming qualities. 2/10
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The Curse of Frankenstein
In 1957 Hammer rejuvenated the horror genre with an emphasis on blood and gore in bright colours. Somewhat flat and derivative story-wise, the film is more interesting for its legacy than for its qualities. 7/10
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The Man Who Turned to Stone
Mad scientists run a women’s prison and kill the inmates in order to prolong their own lives in Columbia’s 1957 genre mashup. Bernard Gordon’s script has interesting ideas, but falls back on dated horror tropes. 5/10.
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Voodoo Woman
A femme fatale leads a gold hunt into the jungle and falls foul of a mad doctor turning women into voodoo monsters. Alex Gordon’s super-cheap AIP schlocker from 1957 is mildly entertaining as a so-bad-it’s-good film. 3/10
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The Werewolf
Evil scientists turn an unwitting family man into a werewolf and let him loose in a sleepy small town. Made on a shoestring with bit-part actors, this 1956 Columbia melodrama packs some nice visuals and interesting, adult themes. 6/10.
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The Black Sleep
While Basil Rathbone, Herbert Rudley & Akim Tamiroff pull their weight in this talky 1956 monster mash, it’s incomprehensible that Lon Chaney, John Carradine, Bela Lugosi & Tor Johnson have all been consigned to shuffling mutely in the corners. 5/10
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The Island of the Lost
The earliest preserved “adaptation” of H.G. Wells’ The Island of Dr. Moreau from 1921 disappoints Wells fans. While sporting impressive actors, the German comedy is marred by a haphazard script and lazy direction. 3/10
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Top 25 Non-English SF Films Pre-1950
Much of the heritage in SF movies comes from non-English language films from the first half of the 20th century, many of which are largely unknown to an English-speaking audience today. Here we list the 25 greatest non-English language science fiction movies made prior to 1950. How many have you…
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Indestructible Man
A 1956 cult classic, this gangster-monster mashup with Lon Chaney Jr. as a super-charged avenger suffers from the cutting of most of Chaney’s lines, and with them key scenes. Decent performances & good location shooting make it worth a watch. 3/10
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Forbidden Planet
Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
Scifist. 