Future technology

The Gamma People

Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10

Warning from Space

Friendly star-shaped aliens try to warn Tokyo’s inhabitants of a planetary collision. Humans flee in fear at the sight of the alien starfish, so one of them shape-shifts and infiltrates. This 1956 colour spectacle is entertaining but contrived. 5/10

King Dinosaur

Bert I. Gordon’s 1955 directorial debut sees four scientists completely uninterested in exploring a new planet and doing “darn science stuff”. After battling stock footage and superimposed insects, they detonate a nuclear bomb and go home. 0/10

Bride of the Monster

Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10

Conquest of Space

An implausible, ill-conceived and sluggish script is the bane of George Pal’s 1955 Technicolor space epic. The visuals in this first trip to Mars are (mostly) superb, which make the bizarre plot and deadly dialogue stand out like a sore thumb. 4/10

Carolina Cannonball

An atom powered rocket and a train car are at the centre of proceedings in this 1955 hee haw musical comedy from Republic. Singing low-brow comedienne Judy Canova and an able cast do what they can to overcome the insipid script. 2/10

Tobor the Great

A boy befriends a giant robot in this independent film from 1954. Despite the clunky red scare spy subplot attached, this is pure cotton candy kiddie fare, remembered today only for its impressive robot design. 4/10

20,000 Leagues Under the Sea

a star cast, this 1954 Disney blockbuster is regularly seen as the best Jules Verne adaptation of all time. Shot in majestic Technicolor, it is a magnificent adventure film with groundbreaking special effects, despite a so-so script. 8/10

Gog

Strange deaths occur at an underground US research facility controlled by a computer. Suspicion falls on two helper robots, Gog and Magog. This 1954 Ivan Tors thriller in colour has a great setup, but feels more like a science lesson than an SF film. 5/10

El enmascarado de plata

Masked vigilante El Medico Asesino beats up bad guys with his wonderboy sidekick. The first wrestler superhero movie of Mexico, this 1954 release was intended as a serial. Despite its qualities, it’s too long and incoherent as a movie. 4/10

Project Moonbase

It’s a battle of the sexes when an incompetent female pilot is chosen for political reasons to lead the first mission around the moon. The sexist script by Robert Heinlein for this 1953 film is not bettered by a limp cold war espionage angle. 1/10

The Quatermass Experiment

Hugely influential, BBC’s 1953 mini-series about an alien virus mutating their hosts was a massive British TV event. Aired live, its sets were clunky and the acting stiff, but the great script and innovative direction overcome the flaws even today. 6/10

Spaceways

Britain’s first post-war space movie is decidedly Earth-bound, as it follows the personal intrigues of scientists preparing the first orbital space flight. Hammer director Terence Fisher is far from inept, but is thwarted by a meandering script. 3/10

The Twonky

A mind-controlling machine from an authoritarian future disguises itself as a TV set in the home of a professor and starts messing with his life. Badly adapted from a story by “Lewis Padgett”, this 1953 attempt at satire is a dull turkey. 1/10