This smart, well filmed and very successful 1934 film marked the beginning of the end for German science fiction before the Nazis banned the genre. Best remembered for its impressive futuristic sets and superb effects, this film is on the talkier side. It’s secret weapons are German superstars Hans Albers and Brigitte Helm. 7/10.
Rushed into German theatres two months before James Whale’s The Invisible Man in 1933, this film is directed by and stars Germany’s biggest action star Harry Piel. Aided by functioning but crude special effects, a cash-strapped taxi driver stumbles upon an invisibility helmet. Forced comedy and a predictable script are remedied by great action sequences and a breezy pace. 5/10
An entertaining horror-inspired mystery/crime serial with sci-fi elements that features Bela Lugosi in his best paid role ever. Entertaining and well acted, if quite confusing and not very original. It did, however, help pave the way for science fiction serials in sound in Hollywood. 4/10
The earliest available feature film based on a modern sci-fi novel, this German 1932 melodrama concerns the then outlandish idea of a floating gas station for transatlantic flights. Filmed in three different languages with different casts, it’s not exactly a neglected masterpiece, but with talent like Curt Siodmak, Hans Albers, Charles Boyer, Peter Lorre, Conrad Veidt and Sybille Schmitz, it’s certainly a forgotten sci-fi gem. 6/10
This early colour film (1932), impeccably directed by Casablanca-maker Michael Curtiz, is a stylish and atmospheric old dark house thriller with a gruesome sci-fi twist. Unfortunately it’s also an attempt at Groucho Marx-style comedy with a Lee Tracy in the lead as a wise-cracking reporter, whose comedy repertoire isn’t up to the task. Fay Wray and Lionel Atwill shine, and the whole thing has the delicious look and feel of a faded pulp magazine. 7/10
A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The film looks good, though. 3/10
This 1929 movie is the grandfather of the modern space rocket movie. Fritz Lang’s German silent film has a reputation for being over-long and sluggish during its first half. But if you like Lang’s spy yarns, the build-up is pure cinematic delight — and when the actual space voyage gets underway, it is as riveting today as it was 90 years ago. Thanks to the help of the world’s leading rocket scientists, the scientific accuracy is eerily prophetic. 9/10