A scientist receives messages from Mars, and the sender appears to be Jesus Christ himself. However, it is all a commu-nazi trick to destroy Western capitalism. Or is it? Would this 1952 red scare film not have taken itself so utterly seriously, it might have been fun. 1/10
The first team of explorers to Mars are welcomed and double-crossed by a Martian civilisation attempting to hijack their rocket and invade Earth. A 1951 low-budget effort by Monogram, the movie’s striking for its visuals, but badly scripted and routinely directed. 5/10.
Preparing for a potential nuclear winter, a team of scientists test the theory that the Earth is hollow, in this 1951 cheapo from visual effects wizards Jack Rabin and Irving Block. Loosely based on Verne and Burroughs, Unknown World has the makings of a good film, but stumbles in all departments. 4/10.
Uproar in the British textile industry as scientist invents indestructible fabric! Hear all about in this uproarious, witty, and extremely well directed 1951 Ealing comedy, starring Sir Alec Guinness and Joan Greenwood. One of the best SF pictures of the fifties, despite a slow start and a certain lack of emotional investment. 8/10.
The second of the proto-James Bond films featuring Dick Barton, special agent pitches Dick and sidekick Snowy against a megalomaniac villain with a death ray machine. While the script and direction are weak, the movie has some rather enjoyable spots. Watch out for The Avengers star Patrick MacNee. 3/10
In 1950 Hollywood finally produced its first first serious, big-budget space film. With the help of luminaries like Robert Heinlein, Hermann Oberth and Chesley Bonestell, future SF icon George Pal produced a visually stunning but dramatically stale epic, heavily influenced by the red scare. 6/10
Despite the viral marketing, the first American UFO warning turns out to be a false alarm. Alien visitors are notably absent from The Flying Saucer (1950), which plays like low-budget cold war spy serial interlaced with a promotional film for the Alaskan outback. 1/10
The first anthology TV show to feature science fiction, Lights Out was adapted from a popular horror radio show in the US in 1949. Lights Out sports an impressive roster of actors and writers, but it struggles somewhat to transfer what was so great about the radio program to the screen. 5/10
The first science fiction TV show aired as a live broadcast in the US every weekday for almost six years beginning in 1949, totalling in over 1,500 episodes. Aimed at a kiddie audience, the show was cheap and shoddy, even compared to its film serial inspirations, but involved writing talent such as Isaac Asimov, Jack Vance, Arthur C. Clarke and James Blish. 3/10
A university professor invents a wood-repelling baseball and decides to become a star pitcher in order to get enough money to marry one of his students. Ray Milland stars in this predictable 1949 major studio comedy which offers more feelgood than belly laughs. 4/10
A screwball comedy highlighting the confused gender politics of 1949, this very British doorswinger farce sees Bertie and Jeeves taking out a female robot for a night on the town. If you can get over the dated premise and tone, it’s quite an enjoyable and well-made comedy. 5/10
Did you ever wonder what it would have looked like if Hammer made a James Bond film? Well, look no further than to this 1949 spy-fi quota quickie. Here Barton, Dick Barton, chases a villain wielding a secret super-weapon which turns people’s brains into jelly. Plot holes abound, but it’s a surprisingly solid juvenile action movie. 6/10
“Mexico’s Charlie Chaplin” Cantinflas shines as a research assistant in this SF romcom from 1948. Big Oil and authorities chase poor Cantinflas across the movie, believing he has his dead professor’s formula for turning water into oil. A talky and unnecessarily long, but sympathetic effort. 5/10
Charlie Chan solves yet another murder mystery in this reasonably well made Monogram cheapo, aided by his #4 son and legendary black comedian Mantan Moreland. A whodunnit with a sci-fi MacGuffin in an old dark house with a fairly interesting cast led by Sidney Toler. Light fun, an incredibly convoluted plot, with some casual racism thrown in. 4/10.