Category: Future technology
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Escapement
Ex-Nazis operate a brainwashing dream machine in a psychiatric clinic in this 1958 UK mystery melodrama. Released in the US as The Electronic Monster, it squanders a good idea in a programmatic cloak-and-dagger plot. 3/10
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Fire Maidens from Outer Space
This UK/USA clunker from 1956 is the weakest of all 50’s “Amazons in Space” variations. Astronauts chase a monster in black pyjamas through Surrey fields, pretending it’s the 13th moon of Jupiter, while maidens undulate to the music of Borodin. 0/10
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The Mystery of the Eternal Night
A Russian scientist has three months to live after falling victim for strange radiation from the bottom of the sea in this maritime 1956 Soviet SF. For friends of low-key hard SF, this sympathetic submarine effort is well worth a watch. 7/10
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Los platillos voladores
A poor young couple escape their small town in a rocket car and crash land in Mexico City, where they are mistaken for Martians. This Mexican 1956 musical comedy is thin on plot and substance, but charms with its good cast and sincerity. 6/10
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The World Will Shake
What would happen if a machine could predict the time of death of every living person? This forgotten French SF melodrama from 1939 has a remarkably well-crafted script and a superb cast led by Claude Dauphin and Erich von Stroheim. 7/10
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The World Without a Mask
German action star Harry Piel accidentally invents x-ray TV in this 1934 comedy. Devoid of Piel’s trademark hair-raising stunts, the film is somewhat plodding, but co-star Kurt Vespermann picks up the slack with his comedic abilities. 5/10
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The Mystery of Two Oceans
Jules Verne meets James Bond in this 1957 Soviet spy-fi film. The two-part colour movie concerns the hunt for spy aboard a Russian super-submarine. It’s not bad, but at 145 minutes it’s simply too long and sluggish for its own good. 5/10
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Uma Aventura aos 40
Despite starting off in the far-flung future of 1975, Brazil’s first SF movie is primarily a domestic melodrama set in the year it was made, 1947. This poor man’s Citizen Kane is a stated amateur production, but not without merits. 5/10
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Alien visitation Aliens Apocalypse Artificial humanoid Conquest of Earth Conquest of Man Conquest of Space Conquest of Time Dystopia Empty World Future technology Future war & weapons Futurism Humanoid monsters In the air Invisibility Mad scientist Man-made monsters Mars Medical alterations Monsters Moon flight Rejuvenation Resurrection/Prolonged life Robots Round the world Space exploration Superpowers Time Travel Transference of consciousness Transplants Underground Utopia
Top 25 Non-English SF Films Pre-1950
Much of the heritage in SF movies comes from non-English language films from the first half of the 20th century, many of which are largely unknown to an English-speaking audience today. Here we list the 25 greatest non-English language science fiction movies made prior to 1950. How many have you…
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La sombra vengadora
All but forgotten, but immensely important for the birth of the luchador superhero genre, this 1954 romp following the exploits of “The Avenging Shadow” is a surprisingly good action film in the Republic serial vein. 6/10
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Forbidden Planet
Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
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Up the Ladder
Universal’s 1925 silent melodrama is a riches-to-rags story on steroids, focusing on the inventor of a video phone. With money and fame he neglects his wife, who secretly holds 50 percent of his company. A competent but forgettable programmer. 5/10
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The Intrigue
A well-produced spy-fi melodrama of the serial mold, this 1916 silent scripted by pioneer Julia Crawford Ivers may be the earliest preserved American science fiction feature film. Frank Lloyd’s nifty directorial touches add to its appeal. 6/10
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1984
The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10