Did you ever wonder what it would have looked like if Hammer made a James Bond film? Well, look no further than to this 1949 spy-fi quota quickie. Here Barton, Dick Barton, chases a villain wielding a secret super-weapon which turns people’s brains into jelly. Plot holes abound, but it’s a surprisingly solid juvenile action movie. 6/10
“Mexico’s Charlie Chaplin” Cantinflas shines as a research assistant in this SF romcom from 1948. Big Oil and authorities chase poor Cantinflas across the movie, believing he has his dead professor’s formula for turning water into oil. A talky and unnecessarily long, but sympathetic effort. 5/10
Charlie Chan solves yet another murder mystery in this reasonably well made Monogram cheapo, aided by his #4 son and legendary black comedian Mantan Moreland. A whodunnit with a sci-fi MacGuffin in an old dark house with a fairly interesting cast led by Sidney Toler. Light fun, an incredibly convoluted plot, with some casual racism thrown in. 4/10.
British radio star Tommy Handley trades puns with William Shakespeare in this 1944 jazz comedy, as three music hall performers accidentally hitch a ride in a nutty professor’s time machine back to 16th century London. Despite Handley’s dated jokes, good production values, nice musical numbers and petite US jazz singer Evelyn Dall make it worth a watch. 4/10
The most accurate adaptation of Jules Verne’s novel Mysterious Island that has ever been put on screen was made in Soviet Ukraine in 1941. This doesn’t necessarily work in the film’s favour, as it is rather talky and static. Look out for Robert Ross, long-time leader of the African American community in Moscow. 5/10
This 1940 film is the third version of the same story of a gang of criminals shooting planes out of the sky with a death ray, and arguably the best, thanks to its light tone and comedy. It is also the last entry in a series of juvenile films featuring Sergeant Renfrew of the Royal Mounted. 3/10
Basil Rathbone is the son of Frankenstein who moves back to his father’s castle, only to find Boris Karloff and Bela Lugosi hiding in the basement. The latter gives what is perhaps the performance of his lifetime in this visually stunning movie, which unfortunately treats Karloff’s classic monster with little respect. 7/10