Rodan
In 1956 Toho unveiled a brand new monster in its first colour kaiju movie. Direction by Ishiro Honda and special effectsare peak Toho, but devoid of social allegory, the script struggles to carry the sombre tone of the film. 6/10
X the Unknown
A primordial radioactive mud creature threatens the Scottish countryside in Hammer’s taut and atmospheric 1956 Quatermass knockoff. As a film it is a footnote, but notable for gathering the Hammer Horror roster. 6/10
The Beast of Hollow Mountain
Cattle ranchers feud over the mayor’s daughter while their cows mysteriously go missing in this ambitious US/Mexican B-movie. Beautiful colour photography and some adequate stop-motion dinosaurs partly make up for a sluggish script. 5/10
Godzilla, King of the Monsters!
Adding new footage to “Americanize” a foreign film rarely works well. One of the exceptions is the 1956 version of Godzilla, which handles the re-edit tactfully and packs a punch that is almost equal to that of the 1954 original. 7/10
Forbidden Planet
Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
Tarantula
A scientist trying to end hunger creates a giant spider that runs amok in a small desert community. This 1955 classic is not director Jack Arnold’s best work, but even so, it’s one of the best giant critter movies of the 50’s. 6/10
A Journey to the Beginning of Time
Four boys travel back through time in a row boat, escaping cave-men and dinosaurs. Czechoslovakian animator Karel Zeman’s 1955 edutainment film is a beautifully rendered and heart-warming family movie about evolution. 7/10
It Came from Beneath the Sea
A radioactive octopus destroys San Francisco in this 1955 rehash of The Beast from 20,000 Fathoms. Ray Harryhausen’s stop motion is stunning, but the script anticipates the climax, and more thought could have gone into story leading up to it. 4/10
King Dinosaur
Bert I. Gordon’s 1955 directorial debut sees four scientists completely uninterested in exploring a new planet and doing “darn science stuff”. After battling stock footage and superimposed insects, they detonate a nuclear bomb and go home. 0/10
Bride of the Monster
Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10
Godzilla Raids Again
Godzilla and Anguirus take on Osaka in this 1955 sequel. While a quick cash-grabber, the second movie still retains some of the grittiness and gravitas of the original. 5/10
Gojira
spite its clumsy rubber monster and the under-developed characters, 1954’s Gojira (Godzilla) is a gripping allegory for Japan’s experiences during WWII, with beautifully grim visuals and intimate focus on the casualties of war. 7/10
20,000 Leagues Under the Sea
a star cast, this 1954 Disney blockbuster is regularly seen as the best Jules Verne adaptation of all time. Shot in majestic Technicolor, it is a magnificent adventure film with groundbreaking special effects, despite a so-so script. 8/10
Monster from the Ocean Floor
The film that kickstarted B-movie legend Roger Corman’s career in 1954 is a surprisingly well-made no-budget schlocker about a young woman investigating claims of a sea monster off the coast of Mexico. 5/10
The Beast from 20,000 Fathoms
Released in 1953, a year before Godzilla, the Beast was the original kaiju. Ray Harryhausen’s stop-motion magic elevates this movie about a radioactive dinosaur wreaking havoc in New York from run-of-the-mill monster action to full-blown classic. 7/10
scifist 2.0 