Monsters

The Maze

Veronica Hurst’s fiancé Richard Carlson becomes estranged as he takes possession of his ancestral Scottish castle, harbouring a dark secret. Atmospherically filmed in 3D in 1953, this fringe SF production is hampered by an oft-ridiculed climax. 6/10

Mesa of Lost Women

A contender for the worst movie ever, this 1953 patch-job is a mind-boggling series of failures. Built upon existing footage from an unreleased picture, this one includes spider women, mad scientists and evil dwarfs, and still manages to be deadly dull. 0/10

The Twonky

A mind-controlling machine from an authoritarian future disguises itself as a TV set in the home of a professor and starts messing with his life. Badly adapted from a story by “Lewis Padgett”, this 1953 attempt at satire is a dull turkey. 1/10

Robot Monster

Shot on 16,000 USD in 1953, this cult classic is as inept as it is unique. Told as a boy’s surreal nightmare, it features an alien robot gorilla in a diving helmet experiencing an existential crisis as he is about to wipe out the last six people on Earth. And soap bubbles. 7/10

It Came from Outer Space

Ray Bradbury’s story is poetically put on screen in this 1953 classic. Richard Carlson stars as a mediator between body-snatching aliens and gun-happy townsfolk. Intelligent, well-filmed and thoughtful, it may be too slow for some tastes. 8/10

Phantom from Space

Agents and scientists chase an invisible alien around Griffith Observatory in this 1953 cheapo by Billy Wilder’s brother. Decent effects and some nice ideas aside, the film is brought down by its leaden pace, dull, talky script and cramped sets. 1/10

Port Sinister

Villains thwart a scientific expedition to a lost city rising out of the sea, and a damsel is distressed by lava quicksand and giant crab monsters. The valiant cast battles a thin, juvenile script, cramped sets and a low budget. 3/10

Invaders from Mars

This 1953 classic is the most visually unabashed SF movie of the 50s. While hampered by a low budget, this first “invasion of the body snatchers” film scared a generation of kids witless, but also contains interesting themes for adults to chew on. 7/10

The War of the Worlds

An everlasting classic and a pioneering work, George Pal’s 1953 alien invasion epic set the standard for visuals in SF movies. Unfortunately, in removing itself from H.G. Wells’ themes, the script loses both its poignancy and its dramatic functionality. 7/10

Untamed Women

A hapless US bomber crew during WWII crash land on an island inhabited by a tribe of glamour girls in leather skirts, and dinosaur stock footage from One Million B.C. The result in this 1951 lost world potboiler is surprisingly dull. 1/10

Superman and the Mole-Men

The first Superman feature film debuted in 1951 with legendary George Reeves in shoulder pads and a winning grin. Despite a decent budget, it’s shoddy and thinly scripted, although its sincere call for solidarity and inclusiveness carries on the original vision of the comic, and might just win you over. 4/10.