Four boys travel back through time in a row boat, escaping cave-men and dinosaurs. Czechoslovakian animator Karel Zeman’s 1955 edutainment film is a beautifully rendered and heart-warming family movie about evolution. 7/10
Bert I. Gordon’s 1955 directorial debut sees four scientists completely uninterested in exploring a new planet and doing “darn science stuff”. After battling stock footage and superimposed insects, they detonate a nuclear bomb and go home. 0/10
Godzilla and Anguirus take on Osaka in this 1955 sequel. While a quick cash-grabber, the second movie still retains some of the grittiness and gravitas of the original. 5/10
The first sequel to Creature from the Black Lagoon sees the Gill-Man captured in a fish tank and prodded with sticks for “science”. Little is done with the interesting premise, and the thin script devolves into a routine monster-on-the-loose affair. 4/10
The first Hollywood movie about the Yeti sees the snowman stuck at the US immigrations office. But that is the only flash of originality in this amateurish slog from 1954, which settles for an unexciting urban monster hunt. 2/10
The first movie about the Abominable Snowman is an obscure 1954 slapstick comedy from Finland. Great visuals, competent direction and good actors pull it above its slow-moving script and low-brow comedy, making it one of the best of its ilk. 6/10
spite its clumsy rubber monster and the under-developed characters, 1954’s Gojira (Godzilla) is a gripping allegory for Japan’s experiences during WWII, with beautifully grim visuals and intimate focus on the casualties of war. 7/10
Universal’s 1954 aquatic take on King Kong inspired an entire subgenre. Jack Arnold superbly directs this atmospheric story of an Amazon expedition in search of a prehistoric monster merman. But the clichéd script is the real missing link here. 7/10
A scientist transforms himself to a Neanderthal man and starts molesting women in this cheap and belated mad doctor entry from 1953. 3/10
Released in 1953, a year before Godzilla, the Beast was the original kaiju. Ray Harryhausen’s stop-motion magic elevates this movie about a radioactive dinosaur wreaking havoc in New York from run-of-the-mill monster action to full-blown classic. 7/10
A hapless US bomber crew during WWII crash land on an island inhabited by a tribe of glamour girls in leather skirts, and dinosaur stock footage from One Million B.C. The result in this 1951 lost world potboiler is surprisingly dull. 1/10
In the 8th Jungle Jim installation, Johnny Weissmuller tries his best not to hunt down a “missing link” species of giant ape-men, while battling a plush panther and stock footage. It’s a clunky, but entertaining and well-acted juvenile potboiler. 4/10
A ragtag team led by Cesar Romero searches for a lost missile and finds a radioactive island filled with dinosaurs in what may be Sam Newfield’s finest film. Despite its MST3K-tarnished reputation and a whole lot of padding, it’s well worth a look. 5/10.
In 1950 former ballet master and style adviser to Mae West, Boris Petroff, produced a bewildering mishmash of pirates, Australian farm romance, western action and slurpasaurs starring later TV star James Arness. Two Lost Worlds is a low-budget patch job with new dialogue scenes edited to fit action sequences from at least three other movies. 1/10
Often cited as the worst dinosaur movie ever made, Unknown Island from 1948 is the first Lost World film in colour. A good cast spearheaded by SF star Richard Denning, nice atmosphere and a decent script balance out the wobbly dino costumes and elevate this one above its shoddy reputation. 5/10
scifist 2.0 