Man Beast
Connie Hayward leads an expedition into the Himalayas to find her brother, lost on a yeti hunt. Schlockmeister Jerry Warren’s debut movie is probably his best. Not that the bar is set particularly high. 4/10
Connie Hayward leads an expedition into the Himalayas to find her brother, lost on a yeti hunt. Schlockmeister Jerry Warren’s debut movie is probably his best. Not that the bar is set particularly high. 4/10
Cattle ranchers feud over the mayor’s daughter while their cows mysteriously go missing in this ambitious US/Mexican B-movie. Beautiful colour photography and some adequate stop-motion dinosaurs partly make up for a sluggish script. 5/10
The third and final Gill-man film from 1956 toys with interesting fish-out-of-water themes. Despite competent direction and good acting, the low budget and aimless script fail to give this movie buoyance. 5/10
A team of Japanese explorers search for a friend kidnapped by the Yeti, while besieged by evil monster hunters and superstitious natives. Visually stunning, Ishiro Honda’s 1955 cult classic suffers from a messy script and shoddy effects. 5/10
Four boys travel back through time in a row boat, escaping cave-men and dinosaurs. Czechoslovakian animator Karel Zeman’s 1955 edutainment film is a beautifully rendered and heart-warming family movie about evolution. 7/10
A radioactive octopus destroys San Francisco in this 1955 rehash of The Beast from 20,000 Fathoms. Ray Harryhausen’s stop motion is stunning, but the script anticipates the climax, and more thought could have gone into story leading up to it. 4/10
Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10
Godzilla and Anguirus take on Osaka in this 1955 sequel. While a quick cash-grabber, the second movie still retains some of the grittiness and gravitas of the original. 5/10
The first sequel to Creature from the Black Lagoon sees the Gill-Man captured in a fish tank and prodded with sticks for “science”. Little is done with the interesting premise, and the thin script devolves into a routine monster-on-the-loose affair. 4/10
The first Hollywood movie about the Yeti sees the snowman stuck at the US immigrations office. But that is the only flash of originality in this amateurish slog from 1954, which settles for an unexciting urban monster hunt. 2/10
The first movie about the Abominable Snowman is an obscure 1954 slapstick comedy from Finland. Great visuals, competent direction and good actors pull it above its slow-moving script and low-brow comedy, making it one of the best of its ilk. 6/10
a star cast, this 1954 Disney blockbuster is regularly seen as the best Jules Verne adaptation of all time. Shot in majestic Technicolor, it is a magnificent adventure film with groundbreaking special effects, despite a so-so script. 8/10
Universal’s 1954 aquatic take on King Kong inspired an entire subgenre. Jack Arnold superbly directs this atmospheric story of an Amazon expedition in search of a prehistoric monster merman. But the clichéd script is the real missing link here. 7/10
Villains thwart a scientific expedition to a lost city rising out of the sea, and a damsel is distressed by lava quicksand and giant crab monsters. The valiant cast battles a thin, juvenile script, cramped sets and a low budget. 3/10
Often cited as one of the worst films ever made, this 1952 low-budget mad scientist/jungle comedy is better than its reputation – if you can get past Sammy Petrillo’s Jerry Lewis imitation. 3/10