When a rogue planet threatens to collide with Earth, a small team of pioneers start building a space ark in order to begin life anew on a new world. George Pal produces and Rudolph Maté directs this classic from 1951 in nostalgic Technicolor. The script’s weak love triangle and biblical pathos suck some of the juice out of Philip Wylie’s crisp novel, but the visuals and effects are stunning, and the action exciting despite some slow spots. 6/10
Uproar in the British textile industry as scientist invents indestructible fabric! Hear all about in this uproarious, witty, and extremely well directed 1951 Ealing comedy, starring Sir Alec Guinness and Joan Greenwood. One of the best SF pictures of the fifties, despite a slow start and a certain lack of emotional investment. 8/10.
The first SF anthology TV show aired live in the US from 1951 to 1953. With material by some of the greatest SF authors of all time, its adult-oriented, intelligent scripts are often unsettling to watch even today. The cast boasts Leslie Nielsen, Rod Steiger, Paul Newman, Eva Gabor, James Dean, Joanne Woodward and many more. 6/10
Arch Oboler’s indie film from 1951 was the first to portray the aftermath of nuclear war. Heavy on biblical reference and weighed down with pompous monologues and slow pacing, the film nonetheless boasts striking cinematography and a gritty, bleak vision of the future. 6/10
The second of the proto-James Bond films featuring Dick Barton, special agent pitches Dick and sidekick Snowy against a megalomaniac villain with a death ray machine. While the script and direction are weak, the movie has some rather enjoyable spots. Watch out for The Avengers star Patrick MacNee. 3/10
In 1950 Hollywood finally produced its first first serious, big-budget space film. With the help of luminaries like Robert Heinlein, Hermann Oberth and Chesley Bonestell, future SF icon George Pal produced a visually stunning but dramatically stale epic, heavily influenced by the red scare. 6/10
Poverty Row studio Lippert Pictures rushed Rockethip X-M into theatres in 1950, ahead of the much-hyped big-budget production Destination Moon, claiming the title of the first American space exploration movie. Despite its cash-grab nature, in some ways it actually surpasses its heavy-going “original”. 6/10
Despite the viral marketing, the first American UFO warning turns out to be a false alarm. Alien visitors are notably absent from The Flying Saucer (1950), which plays like low-budget cold war spy serial interlaced with a promotional film for the Alaskan outback. 1/10
Originally produced as a propaganda short for General Motors, and then stretched to feature length, this 1940/1945 low-budget affair by radio legend Arch Oboler is as curious as it is flawed. Claude Rains stars as a man returning to the city from a fishing trip only to find that the US has been taken over by fascists. 2/10
The first anthology TV show to feature science fiction, Lights Out was adapted from a popular horror radio show in the US in 1949. Lights Out sports an impressive roster of actors and writers, but it struggles somewhat to transfer what was so great about the radio program to the screen. 5/10
The first science fiction TV show aired as a live broadcast in the US every weekday for almost six years beginning in 1949, totalling in over 1,500 episodes. Aimed at a kiddie audience, the show was cheap and shoddy, even compared to its film serial inspirations, but involved writing talent such as Isaac Asimov, Jack Vance, Arthur C. Clarke and James Blish. 3/10
A university professor invents a wood-repelling baseball and decides to become a star pitcher in order to get enough money to marry one of his students. Ray Milland stars in this predictable 1949 major studio comedy which offers more feelgood than belly laughs. 4/10
A screwball comedy highlighting the confused gender politics of 1949, this very British doorswinger farce sees Bertie and Jeeves taking out a female robot for a night on the town. If you can get over the dated premise and tone, it’s quite an enjoyable and well-made comedy. 5/10
Did you ever wonder what it would have looked like if Hammer made a James Bond film? Well, look no further than to this 1949 spy-fi quota quickie. Here Barton, Dick Barton, chases a villain wielding a secret super-weapon which turns people’s brains into jelly. Plot holes abound, but it’s a surprisingly solid juvenile action movie. 6/10
“Mexico’s Charlie Chaplin” Cantinflas shines as a research assistant in this SF romcom from 1948. Big Oil and authorities chase poor Cantinflas across the movie, believing he has his dead professor’s formula for turning water into oil. A talky and unnecessarily long, but sympathetic effort. 5/10
