Futurism

Forbidden Planet

Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10

Fly by Night

Robert Siodmak shows his skill as a director in this early 1942 screwball comedy starring later SF star Richard Carlson and Oscar nominee Nancy Kelly, as they chase a Nazi superweapon, trying to prove Carlson’s innocense in a murder case. 7/10

Up the Ladder

Universal’s 1925 silent melodrama is a riches-to-rags story on steroids, focusing on the inventor of a video phone. With money and fame he neglects his wife, who secretly holds 50 percent of his company. A competent but forgettable programmer. 5/10

The Intrigue

A well-produced spy-fi melodrama of the serial mold, this 1916 silent scripted by pioneer Julia Crawford Ivers may be the earliest preserved American science fiction feature film. Frank Lloyd’s nifty directorial touches add to its appeal. 6/10

Kvinnens plass

A photo of a UFO propels journalist Tore Haugen into a stellar career, while her colleague and husband becomes a stay-at-home dad. This well-made Norwegian marital comedy from 1956 manages to be progressive and reactionary at the same time. 7/10

1984

The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10

The Gamma People

Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10

Warning from Space

Friendly star-shaped aliens try to warn Tokyo’s inhabitants of a planetary collision. Humans flee in fear at the sight of the alien starfish, so one of them shape-shifts and infiltrates. This 1956 colour spectacle is entertaining but contrived. 5/10

Day the World Ended

A small group of survivors hole up in a bungalow after a nuclear war, hoping to outlast the fallout and the mutants raging beyond the picket fence. Roger Corman directs the 1955 cheapo efficiently, but it spends too long treading water. 3/10

King Dinosaur

Bert I. Gordon’s 1955 directorial debut sees four scientists completely uninterested in exploring a new planet and doing “darn science stuff”. After battling stock footage and superimposed insects, they detonate a nuclear bomb and go home. 0/10

Bride of the Monster

Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10

Conquest of Space

An implausible, ill-conceived and sluggish script is the bane of George Pal’s 1955 Technicolor space epic. The visuals in this first trip to Mars are (mostly) superb, which make the bizarre plot and deadly dialogue stand out like a sore thumb. 4/10