Rushed into German theatres two months before James Whale’s The Invisible Man in 1933, this film is directed by and stars Germany’s biggest action star Harry Piel. Aided by functioning but crude special effects, a cash-strapped taxi driver stumbles upon an invisibility helmet. Forced comedy and a predictable script are remedied by great action sequences and a breezy pace. 5/10
Famed for its special effects shots of a floodwave destroying New York City, this 1933 RKO production built up hype as it was thought lost for many decades. When it finally resurfaced, it was met with a collective “meh”, as all the action was packed in the first 15 minutes of the film, and then settled into a wobbly post-apocalyptic romance helmed by a first-time director. 5/10
An entertaining horror-inspired mystery/crime serial with sci-fi elements that features Bela Lugosi in his best paid role ever. Entertaining and well acted, if quite confusing and not very original. It did, however, help pave the way for science fiction serials in sound in Hollywood. 4/10
An American engineer masterminds a Transatlantic tunnel in this German 1933 production, based on Bernhard Kellermann’s 1913 novel. Made in the spirit of international unity, it is today often seen through the lens of the Nazi rise to power. While well acted and sporting impressive set design, the film’s pacing is off and the first half is bogged down by sluggish melodrama. 5/10.
The earliest available feature film based on a modern sci-fi novel, this German 1932 melodrama concerns the then outlandish idea of a floating gas station for transatlantic flights. Filmed in three different languages with different casts, it’s not exactly a neglected masterpiece, but with talent like Curt Siodmak, Hans Albers, Charles Boyer, Peter Lorre, Conrad Veidt and Sybille Schmitz, it’s certainly a forgotten sci-fi gem. 6/10
This 1932 sci-fi/adventure film has been called the first superhero movie. Bela Lugosi shines as the villain, William Cameron Menzies directs with style and the sets and special effects are very impressive. The inane plot is secondary in the breezy, fun juvenile adventure set in Egypt. 6/10
This early colour film (1932), impeccably directed by Casablanca-maker Michael Curtiz, is a stylish and atmospheric old dark house thriller with a gruesome sci-fi twist. Unfortunately it’s also an attempt at Groucho Marx-style comedy with a Lee Tracy in the lead as a wise-cracking reporter, whose comedy repertoire isn’t up to the task. Fay Wray and Lionel Atwill shine, and the whole thing has the delicious look and feel of a faded pulp magazine. 7/10