Jules Verne meets James Bond in this 1957 Soviet spy-fi film. The two-part colour movie concerns the hunt for spy aboard a Russian super-submarine. It’s not bad, but at 145 minutes it’s simply too long and sluggish for its own good. 5/10
Adding new footage to “Americanize” a foreign film rarely works well. One of the exceptions is the 1956 version of Godzilla, which handles the re-edit tactfully and packs a punch that is almost equal to that of the 1954 original. 7/10
Despite starting off in the far-flung future of 1975, Brazil’s first SF movie is primarily a domestic melodrama set in the year it was made, 1947. This poor man’s Citizen Kane is a stated amateur production, but not without merits. 5/10
Much of the heritage in SF movies comes from non-English language films from the first half of the 20th century, many of which are largely unknown to an English-speaking audience today. Here we list the 25 greatest non-English language science fiction movies made prior to 1950. How many have you seen?
The first US time machine film from 1956 is a fun but clunky Technicolor adventure. Astronauts accidentally travel 500 years into the future, where the meek, pacifist human survivors hide from barbaric mutants in an underground civilisation. 5/10
All but forgotten, but immensely important for the birth of the luchador superhero genre, this 1954 romp following the exploits of “The Avenging Shadow” is a surprisingly good action film in the Republic serial vein. 6/10
Based on Shakespeare, MGM’s 1956 epic starring Anne Francis & Leslie Nielsen is a landmark SF movie. The pulpy premise of space explorers saving a virgin from an alien monster hides surprisingly serious and adult themes. 9/10
A lady entomologist channels her inner secret agent when sent on a dangerous mission to an Eastern European country in this British 1950 spy-fi comedy thriller written by author Eric Ambler. 6/10
Robert Siodmak shows his skill as a director in this early 1942 screwball comedy starring later SF star Richard Carlson and Oscar nominee Nancy Kelly, as they chase a Nazi superweapon, trying to prove Carlson’s innocense in a murder case. 7/10
Universal’s 1925 silent melodrama is a riches-to-rags story on steroids, focusing on the inventor of a video phone. With money and fame he neglects his wife, who secretly holds 50 percent of his company. A competent but forgettable programmer. 5/10
A well-produced spy-fi melodrama of the serial mold, this 1916 silent scripted by pioneer Julia Crawford Ivers may be the earliest preserved American science fiction feature film. Frank Lloyd’s nifty directorial touches add to its appeal. 6/10
A photo of a UFO propels journalist Tore Haugen into a stellar career, while her colleague and husband becomes a stay-at-home dad. This well-made Norwegian marital comedy from 1956 manages to be progressive and reactionary at the same time. 7/10
The first feature film depicting George Orwell’s dystopian vision of a totalitarian future capture the book’s bleak atmosphere well. A miscast leading couple and Michael Anderson’s uninspired direction prevent the movie from reaching its potential. 5/10
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
Two bumbling journalists accidentally save a European backwater country from a mad scientists creating zombies and a master race with the help of gamma rays in this British B production from later Bond producer Albert Broccoli. 4/10
scifist 2.0 