Medical alterations

Frankenstein Meets the Wolf Man

Universal’s first monster mashup, made in 1943, is an audience divider. Some enjoy it as a brainless schlockfest, while others find the denigration of the Frankenstein franchise painful to watch. Arguably miscast from the start as the Frankenstein monster, Bela Lugosi saw all his lines cut in the editing room. 4/10

The Ape Man

Bela Lugosi tries to convince the audience that he looks like a gorilla by wearing a false beard in Monogram’s 1943 cheapo directed by William “One Shot” Beaudine. A treat for fans of really bad movies, this one is a real clunker. 1/10

The Ape

In 1940 Monogram wanted a gorilla horror film. Screenwriter Curt Siodmak wanted a film where Boris Karloff tries to cure polio by murdering people for spinal fluid. Somehow these to wishes met in the final product. The result is not pretty, but The Ape nonetheless has an enduring charm. 3/10

Dr. Renault’s Secret

A little diamond in the rough, this 1942 ape-man melodrama from 20th Century Fox features Ersatz horror icons J. Carrol Naish and George Zucco. While suffering from scripting and pacing problems, the movie has a smidgen of depth, owing to its literary roots. 6/10

The Mad Monster

Poverty Row studio PRC tried to ride the werewolf wave in 1942 with this Sam Newfield production starring Glenn Strange as a slouch hat-wearing monster and George Zucco as the zany scientist. Not the studio’s worst outing, but at 77 minutes it overstays its welcome. 3/10

The Body Disappears

Warner produced its first invisibility comedy in 1941. This time it’s a bridegroom who’s accidentally turned transparent on the eve of his wedding. Actors like Jane Wyman, Edward Everett Horton and Willie Best help keep this bland, programmatic situation farce afloat, if only barely. 3/10

Dr. Jekyll and Mr. Hyde

MGM pulls out all the stops in this high-profile 1941 horror remake. Star director Victor Fleming, however, is out of his element, as is Spencer Tracy in the lead. Still, the movie’s depiction of domestic psychological abuse makes it genuinely unsettling and Ingrid Bergman is sublime. 7/10