The forties was not a good time for SF movies. But the genre sputtered along with mad scientist B-movies turned out by Hollywood. The decade produced none of the immortal classics of the twenties and thirties, but hidden among the low-budget dregg, one can find a few genuine gems worthy of more recognition.
Universal’s third monster mash film from 1945 is a decent, if not necessarily worthy, farewell to the studio’s legendary ghouls. Despite flashes of originality, it feels as if we are re-heating the same TV dinner for the umpteenth time before the SF movies of the US caught up with the new post-war reality. Scifist Rating: 4/10
Universal’s House of Frankenstein sees Boris Karloff as a mad scientist hiring Dracula as a hit man, attempting to cure the Wolf Man and restart the Frankenstein monster. All while J. Carrol Naish’s hunchback is trying to bonk a gypsy girl who’s in love with the werewolf. While the nutty story can be entertaining, this 1944 film’s downfall is its contrived plot and structure. 4/10
Universal’s first monster mashup, made in 1943, is an audience divider. Some enjoy it as a brainless schlockfest, while others find the denigration of the Frankenstein franchise painful to watch. Arguably miscast from the start as the Frankenstein monster, Bela Lugosi saw all his lines cut in the editing room. 4/10
The magic is all but gone from the fourth Universal Frankenstein picture, made in 1942. Although well-paced and entertaining, the film stumbles on a ridiculous, self-contradictory script, a low budget and a Lon Chaney Jr. who isn’t up to the task of replacing Boris Karloff as the monster. 5/10
A quick Universal cheapo from 1941, this was the first of Lon Chaney Jr.’s monster movies, and one of his best. Lionel Atwill shines as the mad doctor who pumps Chaney full of electricity, until he becomes a mindless, glow-in-the-dark monster who kills with a touch. 6/10
Inspired by Flash Gordon and The Phantom Empire, the young Republic Studios launched their own sci-fi serial in 1936, and the result was an action-packed, but rather brainless concoction. Occasional good design and an energetic Crash Corrigan can’t save this badly scripted Atlantis-themed hodgepodge. 3/10