Curt Siodmak, Ivan Tors and Richard Carlson foreshadow The Right Stuff in this 1953 space race film. Despite its bonkers central premise and a somewhat unsatisfactory latter part, the film charms with its mature and calm, scientific approach. 5/10
The disembodied brain of ruthless millionaire Donovan takes telepathic control over the scientist keeping it alive in a fish tank. Based on Curt Siodmak’s novel, this 1953 effort is at its best a taut SF chiller, at its worst a confusing tax fraud potboiler. 5/10
Science goes horribly wrong when an unstable element threatens to sling the Earth out of orbit. SF legend Richard Carlson stars in this 1953 Curt Siodmak effort. Hokey and low budget, but it charms its way into being one of the best SF movies of the fifties. 7/10
Universal’s House of Frankenstein sees Boris Karloff as a mad scientist hiring Dracula as a hit man, attempting to cure the Wolf Man and restart the Frankenstein monster. All while J. Carrol Naish’s hunchback is trying to bonk a gypsy girl who’s in love with the werewolf. While the nutty story can be entertaining, this 1944 film’s downfall is its contrived plot and structure. 4/10
Braaaaaiiiins! The first adaptation of Curt Siodmak’s cult novel Donovan’s Brain turns up the mad scientist factor to eleven. The 1944 film sees Erich von Stroheim as the resident Frankenstein, as a disembodied brain takes control over his assistant’s mind. Atmospheric cinematography and an overall strong cast compensates for ice skater Vera Hruba Ralston’s lack of acting experience in the female lead. 5/10
Universal’s first monster mashup, made in 1943, is an audience divider. Some enjoy it as a brainless schlockfest, while others find the denigration of the Frankenstein franchise painful to watch. Arguably miscast from the start as the Frankenstein monster, Bela Lugosi saw all his lines cut in the editing room. 4/10
In 1940 Monogram wanted a gorilla horror film. Screenwriter Curt Siodmak wanted a film where Boris Karloff tries to cure polio by murdering people for spinal fluid. Somehow these to wishes met in the final product. The result is not pretty, but The Ape nonetheless has an enduring charm. 3/10
In 1942 Universal reinvented the invisible man as a Nazi foil in the fourth movie of the franchise. Invisible Agent gets the A movie treatment, as is evident from an A list cast including Cedric Hardwicke, J. Edgar Bromberg and Peter Lorre. As a comedy the film falls flat, but it works better as a spy thriller. 5/10
The third ”invisible man” instalment from 1940 is a solid screwball comedy with a great female heroine, but hardly brings anything new to the table. Universal brings in an impressive roster of character actors, but the special effects are somewhat shoddy. 6/10
Even if Boris Karloff and Bela Lugosi were the marquee names for this 1940 gangster/brain transplant mashup written by Curt Siodmak, it is unheralded actor Stanley Ridges who steals the show in his dual role as fussy professor and cold blooded mobster boss. 5/10
Horror icon Vincent Price takes over the empty shirt and trousers of Claude Rains in The Invisible Man Returns (1940). Universal was still making good sequels to their horror films, although this one does clearly fall into B-movie category. But this is a good B-movie, well acted, well filmed and well received, but a harmless Hollywood sequel nonetheless. 7/10
Schizophrenic British comedy/crime drama set on a huge futuristic luxury airliner. Cringe-worthy comedy is mixed with a witness drama that manages to be both improbable and generic. Good acting and steady direction saves the film from bring a complete clunker. 3/10
The earliest available feature film based on a modern sci-fi novel, this German 1932 melodrama concerns the then outlandish idea of a floating gas station for transatlantic flights. Filmed in three different languages with different casts, it’s not exactly a neglected masterpiece, but with talent like Curt Siodmak, Hans Albers, Charles Boyer, Peter Lorre, Conrad Veidt and Sybille Schmitz, it’s certainly a forgotten sci-fi gem. 6/10
