John Carradine

House of Frankenstein

Universal’s House of Frankenstein sees Boris Karloff as a mad scientist hiring Dracula as a hit man, attempting to cure the Wolf Man and restart the Frankenstein monster. All while J. Carrol Naish’s hunchback is trying to bonk a gypsy girl who’s in love with the werewolf. While the nutty story can be entertaining, this 1944 film’s downfall is its contrived plot and structure. 4/10

Return of the Ape Man

This 1944 faux-sequel to Monogram’s The Ape Man marked the end of Bela Lugosi’s stint at the Poverty Row studio. Here he is joined by a good cast and a seasoned director who nonetheless fail to bring life to this illogical “thawed-out-cave-man” yarn. It is better than its predecessor, though.  3/10

The Invisible Man’s Revenge

The fifth and final instalment in Universal’s Invisible Man Franchise was released in 1944 and treads familiar ground as an escapee turns invisible in order to exact revenge on his wrong-doers. John Carradine is delicious as the nutty scientist, scream queen Evelyn Ankers is underused and Jon Hall returns as the invisible menace for a second time. A messy script is saved by quality filmmaking. 5/10

Jungle Woman

Acquanetta the Ape Woman returns in a 1944 sequel to Universal’s Captive Wild Woman. The first 20 minutes go by in flashbacks from the original picture, before the wild woman is resurrected and goes ape, off-screen, in a mental asylum. An ill-conceived and clumsy effort, this is a monster movie without a monster, trying feebly to emulate Val Lewton’s Cat People. 3/10

Voodoo Man

Horror icons George Zucco and John Carradine join Bela Lugosi in his last film at Poverty Row studio Monogram, for one of the most bizarrely funny so-bad-it’s-good sci-fi horror films of the forties. Unfortunately giggles aren’t enough to lift this film out of the ruts, although it is a must-watch for the wonderful Voodoo seances with Carradine and Zucco immensely enjoying the insanity of it all. 2/10

Revenge of the Zombies

A good black supporting cast led by comedian Mantan Moreland saves this 1943 film, directed by The Day of the Triffids director Steve Sekely. John Carradine sleepwalks through his second outing as a mad scientist, this time creating zombies out of his staff and even his own wife. The white heroes of the movie are really just killing time between Moreland’s comedy skits. 4/10.

Captive Wild Woman

Director Edward Dmytryk cuts and pastes together a surprisingly coherent and enjoyable tale of a gorilla being turned into a woman by a nutty John Carradine in his first mad scientist role. The 1943 film made the mysterious Acquanetta an over-night star, and garnered two sequels, despite the fact that one third of the movie is reused footage from an old lion-taming film. 5/10