Category: The New Man
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The Amazing Colossal Man
After surviving a nuclear explosion, Glenn Langan is moved to a military test site where he continues to grow ever larger. There’s a rugged charm to Bert I. Gordon’s 1957 film that helps counteract the dull script and the poor effects. 5/10
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The Body Snatcher
A mad scientists kills wrestlers and turns them into super-monsters. An up-and-coming wrestler agrees to act as bait for the killer, with disastrous results. The first Mexican luchador/monster mashup from 1957 may be the best. 6/10
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The Invisibe Man vs. the Human Fly
Police and scientists turn invisible in order to catch a murderer who shrinks to the size of a fly. So-so special effects and a surprisingly tame script hamper this otherwise passable 1957 Japanese SF movie. 5/10
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From Hell It Came
US scientists battle evil natives and a murderous tree stump on a South Pacific island. The killer tree is the saving grace of Dan Milner’s tedious, talky 1957 no-budget cult classic. 2/10
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Cinco gallinas y el cielo
After accidentally eating experimentally enhanced chickens, residents of Buenos Aires start doing and saying exactly what they want. A pleasant little comedy from 1957, which falls short as a satire. 5/10
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The Cyclops
Susan Winters finds her lost husband in a remote Mexican vally, now radioactively mutated into a giant monster. The first in Bert I. Gordon’s trilogy of giant bald monsters. 4/10
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The Unearthly
John Carradine, Tor Johnson and Allison Hayes star in Boris Petroff’s 1957 glandular horror film. A belated call-back to the mad scientist films of the 40’s, it’s cheap and derivative, but campy fun. 3/10
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I Was a Teenage Werewolf
A mad scientist regresses a troubled teen into his primal state: a werewolf. AIP’s iconic low-budget horror was the frst starring role of Michael Landon. Beneath the cheeky facade, serious themes are explored. 5/10
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The Vampire
A doctor accidentally takes a pill which turns him into a vampire at night, and starts killing people. This 1957 low-budget production is surprisingly engaging thanks to a well-crafted script and good performances. 7/10
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The Man Without a Body
A dying businessman wants to replace his brain with that of Nostradamus, but Nostradamus has other plans. Low-budget SF legend W. Lee Wilder directed this unintentionally hilarious 1957 British clunker. 4/10
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Quatermass 2
Professor Quatermass investigates alien body snatchers that have secretly taken over the British government in this 1957 sequel. The script is original but sprawling, and lacks the original’s claustrophobic horror 6/10.
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The Curse of Frankenstein
In 1957 Hammer rejuvenated the horror genre with an emphasis on blood and gore in bright colours. Somewhat flat and derivative story-wise, the film is more interesting for its legacy than for its qualities. 7/10
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She Devil
Scientists cure a dying woman with an experimental serum, which also turns her into a soulless killer. Kurt Neumann’s misogynistic 1957 SF melodrama is handsomely filmed, but predictable and dull. 4/10
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Kronos
A giant alien machine descends to Earth and proceeds to drain the planet of energy in this 1957 Fox B-movie. The script is creaky, but this is a fairly original and well designed low-budget effort from the mind of Irving Block. 6/10
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The Man Who Turned to Stone
Mad scientists run a women’s prison and kill the inmates in order to prolong their own lives in Columbia’s 1957 genre mashup. Bernard Gordon’s script has interesting ideas, but falls back on dated horror tropes. 5/10.
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