Futurism

The Inhuman Woman

A hallucinatory explosion of art deco and visual experimentation, Marcel L’Herbier’s 1924 film L’Inhumaine has divided critics and audiences for decades. Its bold design and innovative editing inspired a generation of directors, but many find its script thin and its characters one-dimensional and uninspiring.

High Treason

This 1929 film was Britain’s attempt to create its own Metropolis. The stunning art deco visuals are counteracted by a clumsy and overtly naive script. Maurice Elvey’s direction is fluid and competent, but the actors are stuck with paper-thin characters who lack motivation. Modern viewers of this pacifist yarn set in 1940 will marvel at the accurate predictions of things like TV and Skype. (5/10)

The Mysterious Island

Borrowing the name of Jules Verne’s bestseller, this problem-ridden 1926-1929 production features good acting, some remarkable special effects and a solid-ish script, but alas, the schizophrenic semi-talkie-semi-silent film is just as equally horrible in many ways, with toy submarines and crocodiles substituting for dinos. (4/10)

Charleston Parade

In a nutshell: A bonkers short subject by master director Jean Renoir from 1927 shows an African explorer in a spacecraft discovering a white native woman in a post-apocalyptic Paris, and they dance the Charleston for ten minutes. (5/10)

Metropolis

The plot may be meandering and the political message naive, but the thematic and visual influence of Austrian director Fritz Lang’s exciting 1927 masterpiece Metropolis is rivalled by few in science fiction and in film in general. A great, entertaining, sprawling epic in a future tower of Babylon. (10/10)

Miss Mend

Miss Mend (1926) is quite possibly the best American action film serial of the silent era. And it was made in the Soviet Union. The tacked-on, state-required propaganda elements throw the plot and pacing off balance, but all-in-all this international spy-fi yarn is a breezy, action-packed, impeccably filmed and fun tour-de-force. (8/10)

Our Heavenly Bodies

A forgotten German educational film with strong SF elements, Wunder der Schöpfung takes us on a ride in a spaceship to visit the planets and the stars. Director Hanns Walter Kornblum worked with nine animators and six cinematographers to create astounding special effects that hold up to any other masterpiece made in the twenties. (8/10)

The Death Ray

This 1925 Soviet action film by legendary film theorist Lev Kuleshov is all about editing and light-hearted spy fun in a pre-James Bond era, as fascists and socialists fight for possession of a death ray. Kuleshov’s experimental editing and lost film reels create a highly disjointed viewing experience, and the parts are better than the whole. (5/10)

The Monster

Legendary actor Lon Chaney stars in what may be called the blueprint for old dark house films. This 1925 horror comedy is well filmed by Roland West, and introduced many tropes, like the young couple seeking a phone in a dark mansion after a car accident, the eerie, cowled henchman to the mad scientist, etc. (7/10)

The Crazy Ray

The first feature film dealing with the stopping of time, French experimental movie Paris qui dort is a poetical comedy that uses science fiction trappings to recapture the romanticism of a Paris before the hustle and bustle of the modern speed-crazy world of the 1920s. (7/10)

Aelita, Queen of Mars

∗∗∗∗∗∗∗∗∗∗ (8/10) Ostensibly Russia’s/USSR’s first sci-fi film, this political 1924 space fantasy lays down a surprisingly intelligent criticism of the communist revolution, once you look past the clunky, propagandistic symbolism […]

L’uomo meccanico

NO RATING: PARTIALLY LOST FILM Partially lost Italian silent sci-fi action comedy from 1921, notable for being the first feature film to revolve around a robot. Comedy superstar André Deed […]