Future technology

Metropolis

The plot may be meandering and the political message naive, but the thematic and visual influence of Austrian director Fritz Lang’s exciting 1927 masterpiece Metropolis is rivalled by few in science fiction and in film in general. A great, entertaining, sprawling epic in a future tower of Babylon. (10/10)

Our Heavenly Bodies

A forgotten German educational film with strong SF elements, Wunder der Schöpfung takes us on a ride in a spaceship to visit the planets and the stars. Director Hanns Walter Kornblum worked with nine animators and six cinematographers to create astounding special effects that hold up to any other masterpiece made in the twenties. (8/10)

The Death Ray

This 1925 Soviet action film by legendary film theorist Lev Kuleshov is all about editing and light-hearted spy fun in a pre-James Bond era, as fascists and socialists fight for possession of a death ray. Kuleshov’s experimental editing and lost film reels create a highly disjointed viewing experience, and the parts are better than the whole. (5/10)

The Monster

Legendary actor Lon Chaney stars in what may be called the blueprint for old dark house films. This 1925 horror comedy is well filmed by Roland West, and introduced many tropes, like the young couple seeking a phone in a dark mansion after a car accident, the eerie, cowled henchman to the mad scientist, etc. (7/10)

The Crazy Ray

The first feature film dealing with the stopping of time, French experimental movie Paris qui dort is a poetical comedy that uses science fiction trappings to recapture the romanticism of a Paris before the hustle and bustle of the modern speed-crazy world of the 1920s. (7/10)