Category: Cloning
-
I Married a Monster from Outer Space
Aliens body-snatch the men of a small town so they can mate with Earth women and save their dying race. Despite it’s silly title and premise, this 1958 Paramount production is a surprisingly intelligent, well-filmed and atmospheric alien invasion thriller with a risqué sociological subtext. 7/10
-
War of the Satellites
A body-snatching alien infiltrates the international space program with intents at sabotage. Good low-budget effects and acting, but a dull script makes this one of Roger Corman’s lesser SF efforts. 4/10
-
Stolen Face
A plastic surgeon believes that by giving a scarred female criminal a pretty new face, he can reform her. The twist in this 1952 Hammer entry by Terence Fisher is that the surgeon gives the criminal the face of the woman he loves, and marries her. 5/10
-
The Early SF Movies of Percy Stow
Percy Stow was one of the pioneers of British trick films, and often took on science fiction subjects in his short films made between 1901 and 1915. In these he showcased high technical quality and a touch of originality.
-
Invasion of the Body Snatchers
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
-
Warning from Space
Friendly star-shaped aliens try to warn Tokyo’s inhabitants of a planetary collision. Humans flee in fear at the sight of the alien starfish, so one of them shape-shifts and infiltrates. This 1956 colour spectacle is entertaining but contrived. 5/10
-
Four Sided Triangle
When two scientists fall in love with the same girl, they clone her. Despite strong direction from Terence Fisher, this British 1953 SF melodrama rejects all the premise’s interesting possibilities and settles for a dull relationship drama. 4/10
-
It Came from Outer Space
Ray Bradbury’s story is poetically put on screen in this 1953 classic. Richard Carlson stars as a mediator between body-snatching aliens and gun-happy townsfolk. Intelligent, well-filmed and thoughtful, it may be too slow for some tastes. 8/10
Scifist. 