The first SF anthology TV show aired live in the US from 1951 to 1953. With material by some of the greatest SF authors of all time, its adult-oriented, intelligent scripts are often unsettling to watch even today. The cast boasts Leslie Nielsen, Rod Steiger, Paul Newman, Eva Gabor, James Dean, Joanne Woodward and many more. 6/10
Janne is a journalist and magazine editor from Finland, who in his spare time runs the science fiction blog Scifist.
Arch Oboler’s indie film from 1951 was the first to portray the aftermath of nuclear war. Heavy on biblical reference and weighed down with pompous monologues and slow pacing, the film nonetheless boasts striking cinematography and a gritty, bleak vision of the future. 6/10
Often overshadowed by it’s remake, Howard Hawks’ 1951 adaptation of John W. Campbell’s novella is still a stellar picture. This ensemble piece was the movie that finally blew the door open for science fiction in Hollywood, and has inspired a generation of filmmakers. 9/10
Director Edgar G. Ulmer turns this 1951 low-budget movie about an alien visitor to a small village into a visually atmospheric, intelligent Expressionist moral tale, as Hollywood brings the first alien invasion film to the big screen. Unfortunately the low budget, pacing problems and a mediocre script hamper this minor classic. 6/10
Douglas Fairbanks Jr. and future Doctor Who Jon Pertwee star in a British atomic age screwball comedy set on a farm. Mr. and Mrs. Drake see their lives upended as the military invades their farm chasing a duck that lays uranium eggs. Future Quatermass director Val Guest makes a light-hearted comedy that leaves more to be desired. 4/10
Dr. Jekyll gets a family in this Argentine rarity from 1951, which is probably the earliest preserved non-US adaptation of R.L. Stevenson’s famous novella. Actor/director Mario Soffici impresses both in the dual title role and with his moody, impressionist lighting schemes and editing.
An Oscar nominee for best picture, MGM:s 1950 adaptation of H. Rider Haggard’s adventure novel dazzled audiences with its Technicolor images of African wildlife and exotic natives. However, the film more closely resembles a nature documentary than a work of narrative cinema. 3/10
In 1950 former ballet master and style adviser to Mae West, Boris Petroff, produced a bewildering mishmash of pirates, Australian farm romance, western action and slurpasaurs starring later TV star James Arness. Two Lost Worlds is a low-budget patch job with new dialogue scenes edited to fit action sequences from at least three other movies. 1/10
The second of the proto-James Bond films featuring Dick Barton, special agent pitches Dick and sidekick Snowy against a megalomaniac villain with a death ray machine. While the script and direction are weak, the movie has some rather enjoyable spots. Watch out for The Avengers star Patrick MacNee. 3/10
In 1950 Hollywood finally produced its first first serious, big-budget space film. With the help of luminaries like Robert Heinlein, Hermann Oberth and Chesley Bonestell, future SF icon George Pal produced a visually stunning but dramatically stale epic, heavily influenced by the red scare. 6/10
Poverty Row studio Lippert Pictures rushed Rockethip X-M into theatres in 1950, ahead of the much-hyped big-budget production Destination Moon, claiming the title of the first American space exploration movie. Despite its cash-grab nature, in some ways it actually surpasses its heavy-going “original”. 6/10
Despite the viral marketing, the first American UFO warning turns out to be a false alarm. Alien visitors are notably absent from The Flying Saucer (1950), which plays like low-budget cold war spy serial interlaced with a promotional film for the Alaskan outback. 1/10
Originally produced as a propaganda short for General Motors, and then stretched to feature length, this 1940/1945 low-budget affair by radio legend Arch Oboler is as curious as it is flawed. Claude Rains stars as a man returning to the city from a fishing trip only to find that the US has been taken over by fascists. 2/10
In 1945 the world still had time for one decent old-school mad scientist film before the genre imploded on itself. Swedish heart-throb Nils Asther shines in a Dorian Gray-inspired major studio production by Paramount about a 120 year old genius searching for the secret of everlasting life, while telling everyone around him that he is only 35. 6/10