spite its clumsy rubber monster and the under-developed characters, 1954’s Gojira (Godzilla) is a gripping allegory for Japan’s experiences during WWII, with beautifully grim visuals and intimate focus on the casualties of war. 7/10
Janne is a journalist and magazine editor from Finland, who in his spare time runs the science fiction blog Scifist.
A boy befriends a giant robot in this independent film from 1954. Despite the clunky red scare spy subplot attached, this is pure cotton candy kiddie fare, remembered today only for its impressive robot design. 4/10
Patricia Neal reprises her role from The Day the Earth Stood Still in this cheap British knock-off from 1954. Plodding and derivative, the film manages to hold the viewer thanks to a decent cast and some interesting script quirks. 3/10
a star cast, this 1954 Disney blockbuster is regularly seen as the best Jules Verne adaptation of all time. Shot in majestic Technicolor, it is a magnificent adventure film with groundbreaking special effects, despite a so-so script. 8/10
Here we have gathered the 25 greatest SF movies made during the first 50 years of cinema. On the list you will find timeless classics known to all movie fans, but also a surprising number of films that have been all but forgotten through the passage of time, and which deserve far wider recognition.
James Arness and Edmund Gwenn chase giant ants in this atmospheric 1954 SF horror thriller. The original giant bug film, considered by many to be the best. Good direction, solid acting and a smart script that taps into the era’s atomic fears. 8/10
Strange deaths occur at an underground US research facility controlled by a computer. Suspicion falls on two helper robots, Gog and Magog. This 1954 Ivan Tors thriller in colour has a great setup, but feels more like a science lesson than an SF film. 5/10
Glorious comic book camp smashes into dull noir drama in this British 1954 cult classic. A must-see for Martian dominatrix Patricia Laffan looking for strong Earth men in her kinky latex outfit, but don’t expect too much. 5/10
The film that kickstarted B-movie legend Roger Corman’s career in 1954 is a surprisingly well-made no-budget schlocker about a young woman investigating claims of a sea monster off the coast of Mexico. 5/10
Masked vigilante El Medico Asesino beats up bad guys with his wonderboy sidekick. The first wrestler superhero movie of Mexico, this 1954 release was intended as a serial. Despite its qualities, it’s too long and incoherent as a movie. 4/10
Universal’s 1954 aquatic take on King Kong inspired an entire subgenre. Jack Arnold superbly directs this atmospheric story of an Amazon expedition in search of a prehistoric monster merman. But the clichéd script is the real missing link here. 7/10
Famous for its villains with ping pong ball eyes, this 1953 low-budget entry sees Peter Graves abducted by aliens planning to invade the Earth. Sadly, the stale script isn’t nearly as fun as the design of the antagonists would suggest. 2/10
Curt Siodmak, Ivan Tors and Richard Carlson foreshadow The Right Stuff in this 1953 space race film. Despite its bonkers central premise and a somewhat unsatisfactory latter part, the film charms with its mature and calm, scientific approach. 5/10
As enthusiastic as it is bewildering, this operatic Mexican 1953 medical horror film is a clunky passion project. Throwing in everything but the kitchen sink, it’s a mix between The Phantom of the Opera, Frankenstein and Mystery of the Wax Museum. 6/10
In Abram Room’s 1953 Soviet propaganda film an evil scientist creates a deadly nuclear dust against the backdrop of racial oppression in the US. As SF it is derivative and clunky, but as a description of Jim Crow America it is eerily accurate. 5/10