Category: Dystopia

  • Strange Holiday

    Strange Holiday

    Originally produced as a propaganda short for General Motors, and then stretched to feature length, this 1940/1945 low-budget affair by radio legend Arch Oboler is as curious as it is flawed. Claude Rains stars as a man returning to the city from a fishing trip only to find that the…

  • Krakatit

    Krakatit

    Based on Karel Capek’s novel, this Czech 1948 film is the first to depict a nuclear holocaust. Otakar Vávra’s feverishly Expressionist direction follows the inventor of a new explosive having waking nightmares about the horror he has unleashed upon the world. While simplified and somewhat dumbed down, the story still…

  • Skeleton on Horseback

    Skeleton on Horseback

    Based on Karel Capek’s play, this 1937 Czechoslovakian dystopia is a thinly veiled allegory on the Nazis. A pacifist doctor finds a cure to a mysterious “white plague” and with it tries to blackmail the ruling class into signing a peace treaty. Future Hollywood director Hugo Haas makes a poignant,…

  • Things to Come

    Things to Come

    H.G. Wells and  William Cameron Menzies take us on an epic journey through the future in this pompous 1936 social prophesy, the last big SF film before the 1950s. The most expensive film made in Britain at the time, Things to Come boasts incredible sets and effects, but the script is stiff, the…

  • Just Imagine

    Just Imagine

    A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The…

  • Metropolis

    Metropolis

    The plot may be meandering and the political message naive, but the thematic and visual influence of Austrian director Fritz Lang’s exciting 1927 masterpiece Metropolis is rivalled by few in science fiction and in film in general. A great, entertaining, sprawling epic in a future tower of Babylon. (10/10)

  • The Last Man on Earth

    The Last Man on Earth

    NO RATING: FILM NOT AVAILABLE The United States’ first all-out sci-fi film, released in 1924, imagines what the world would look like if all men (but one) had been wiped out by a virus, leaving women to run the world. With such a ridiculous premise (a woman president!) this is…

  • Algol

    Algol

    (6/10) Sci-fi inspired melodrama with political undertones, this 1920 film is an early, but slightly clumsy, example of German expressionism. Occasionally stunning visuals and camera work are hampered by a meandering script and good performances are lost due to the lack of any character development. Algol (Algol – Tragödie der…

  • Homunculus

    Homunculus

    (8/10) A huge success upon its release, this German 1916 6-part epic film series follows the exploits of the soulless supervillain Homunculus, a creature created by science, as he wows to find love or destroy humanity. Robert Reinert’s multi-layered script draws on Frankenstein and Faust, as well as Freud, Nietzsche…

  • The End of the World

    The End of the World

    (7/10) This Danish moral tale from 1916 is the world’s first apocalyptic film. August Blom’s direction takes takes it sweet time to get going, but when the much talked about comet finally crashes towards the Earth, the film proves why it belongs among the classics. The special effects hold up surprisingly…