Category: Prehistoric monsters
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Godzilla Raids Again
Godzilla and Anguirus take on Osaka in this 1955 sequel. While a quick cash-grabber, the second movie still retains some of the grittiness and gravitas of the original. 5/10
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Revenge of the Creature
The first sequel to Creature from the Black Lagoon sees the Gill-Man captured in a fish tank and prodded with sticks for “science”. Little is done with the interesting premise, and the thin script devolves into a routine monster-on-the-loose affair. 4/10
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The Snow Creature
The first Hollywood movie about the Yeti sees the snowman stuck at the US immigrations office. But that is the only flash of originality in this amateurish slog from 1954, which settles for an unexciting urban monster hunt. 2/10
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Pekka ja Pätkä lumimiehen jäljillä
The first movie about the Abominable Snowman is an obscure 1954 slapstick comedy from Finland. Great visuals, competent direction and good actors pull it above its slow-moving script and low-brow comedy, making it one of the best of its ilk. 6/10
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Gojira
spite its clumsy rubber monster and the under-developed characters, 1954’s Gojira (Godzilla) is a gripping allegory for Japan’s experiences during WWII, with beautifully grim visuals and intimate focus on the casualties of war. 7/10
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Creature from the Black Lagoon
Universal’s 1954 aquatic take on King Kong inspired an entire subgenre. Jack Arnold superbly directs this atmospheric story of an Amazon expedition in search of a prehistoric monster merman. But the clichéd script is the real missing link here. 7/10
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The Neanderthal Man
A scientist transforms himself to a Neanderthal man and starts molesting women in this cheap and belated mad doctor entry from 1953. 3/10
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The Beast from 20,000 Fathoms
Released in 1953, a year before Godzilla, the Beast was the original kaiju. Ray Harryhausen’s stop-motion magic elevates this movie about a radioactive dinosaur wreaking havoc in New York from run-of-the-mill monster action to full-blown classic. 7/10
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Untamed Women
A hapless US bomber crew during WWII crash land on an island inhabited by a tribe of glamour girls in leather skirts, and dinosaur stock footage from One Million B.C. The result in this 1951 lost world potboiler is surprisingly dull. 1/10
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Jungle Jim in the Forbidden Land
In the 8th Jungle Jim installation, Johnny Weissmuller tries his best not to hunt down a “missing link” species of giant ape-men, while battling a plush panther and stock footage. It’s a clunky, but entertaining and well-acted juvenile potboiler. 4/10
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Lost Continent
A ragtag team led by Cesar Romero searches for a lost missile and finds a radioactive island filled with dinosaurs in what may be Sam Newfield’s finest film. Despite its MST3K-tarnished reputation and a whole lot of padding, it’s well worth a look. 5/10.
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Two Lost Worlds
In 1950 former ballet master and style adviser to Mae West, Boris Petroff, produced a bewildering mishmash of pirates, Australian farm romance, western action and slurpasaurs starring later TV star James Arness. Two Lost Worlds is a low-budget patch job with new dialogue scenes edited to fit action sequences from…
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Unknown Island
Often cited as the worst dinosaur movie ever made, Unknown Island from 1948 is the first Lost World film in colour. A good cast spearheaded by SF star Richard Denning, nice atmosphere and a decent script balance out the wobbly dino costumes and elevate this one above its shoddy reputation. 5/10
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The Mysterious Island
Borrowing the name of Jules Verne’s bestseller, this problem-ridden 1926-1929 production features good acting, some remarkable special effects and a solid-ish script, but alas, the schizophrenic semi-talkie-semi-silent film is just as equally horrible in many ways, with toy submarines and crocodiles substituting for dinos. (4/10)
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The Lost World
The original dinosaur blockbuster was released in 1925 by First National Pictures. With stop-motion animation by legendary Willis O’Brien and cinematography by multiple Oscar nominee Arthur Edeson, the film is a beauty to behold, even if the plot and pacing suffers from director Harry Hoyt’s determination to get as much…
Scifist. 