Carolina Cannonball

An atom powered rocket and a train car are at the centre of proceedings in this 1955 hee haw musical comedy from Republic. Singing low-brow comedienne Judy Canova and an able cast do what they can to overcome the insipid script. 2/10

The Invisible Avenger

An invisible ex-soldier breaks up a mob gang and saves a nightclub singer in Toho’s 1954 SF noir. An interesting premise of war-time test subjects living as outcasts is sadly pushed out by the clichéd gangster plot. Film has its moments, though. 4/10

The Atomic Kid

US scientists, Soviet spies and peanut butter brands want to know how Mickey Rooney survived a nuclear explosion in this 1954 comedy from Republic. Rooney puts on his best radioactive glow in order to compensate for a messy and dull script. 2/10

The Snow Creature

The first Hollywood movie about the Yeti sees the snowman stuck at the US immigrations office. But that is the only flash of originality in this amateurish slog from 1954, which settles for an unexciting urban monster hunt. 2/10

Target Earth

One of the first “empty city” movies, this 1954 low-budget clunker starring SF legend Richard Denning has all the trappings of a taut, character-driven SF classic. Unfortunately the hackneyed script does away with much of its potential. 4/10

Gojira

spite its clumsy rubber monster and the under-developed characters, 1954’s Gojira (Godzilla) is a gripping allegory for Japan’s experiences during WWII, with beautifully grim visuals and intimate focus on the casualties of war. 7/10

Tobor the Great

A boy befriends a giant robot in this independent film from 1954. Despite the clunky red scare spy subplot attached, this is pure cotton candy kiddie fare, remembered today only for its impressive robot design. 4/10

Stranger from Venus

Patricia Neal reprises her role from The Day the Earth Stood Still in this cheap British knock-off from 1954. Plodding and derivative, the film manages to hold the viewer thanks to a decent cast and some interesting script quirks. 3/10

20,000 Leagues Under the Sea

a star cast, this 1954 Disney blockbuster is regularly seen as the best Jules Verne adaptation of all time. Shot in majestic Technicolor, it is a magnificent adventure film with groundbreaking special effects, despite a so-so script. 8/10

Them!

James Arness and Edmund Gwenn chase giant ants in this atmospheric 1954 SF horror thriller. The original giant bug film, considered by many to be the best. Good direction, solid acting and a smart script that taps into the era’s atomic fears. 8/10

Gog

Strange deaths occur at an underground US research facility controlled by a computer. Suspicion falls on two helper robots, Gog and Magog. This 1954 Ivan Tors thriller in colour has a great setup, but feels more like a science lesson than an SF film. 5/10

El enmascarado de plata

Masked vigilante El Medico Asesino beats up bad guys with his wonderboy sidekick. The first wrestler superhero movie of Mexico, this 1954 release was intended as a serial. Despite its qualities, it’s too long and incoherent as a movie. 4/10