Tag: Whit Bissell
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Monster on the Campus
The juices from a prehistoric fish turns a mild-mannered professor into a raging Neanderthal in Jack Arnold’s 1958 monster programmer. While a fairly entertaining low-budget romp, the film’s weak, contrived and repetitive script and sub-par special effects make it a low-point in Arnold’s career. 4/10
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I Was a Teenage Frankenstein
A ruthless scientist creates a teenage monster in his basement and tries to hide it from his fiancée. Herman Cohen’s 1957 follow-up to the smash hit I Was a Teenage Werewolf is a slow-moving affair saved by a toungue-in-cheek script. 4/10
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I Was a Teenage Werewolf
A mad scientist regresses a troubled teen into his primal state: a werewolf. AIP’s iconic low-budget horror was the frst starring role of Michael Landon. Beneath the cheeky facade, serious themes are explored. 5/10
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Invasion of the Body Snatchers
This 1956 SF thriller directed by Don Siegel is a masterpiece dissecting American post-war paranoia and timeless themes of losing one’s identity and sense of belonging. One of the few fifties horror films that is still spine-chilling today. 10/10
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The Atomic Kid
US scientists, Soviet spies and peanut butter brands want to know how Mickey Rooney survived a nuclear explosion in this 1954 comedy from Republic. Rooney puts on his best radioactive glow in order to compensate for a messy and dull script. 2/10
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Target Earth
One of the first “empty city” movies, this 1954 low-budget clunker starring SF legend Richard Denning has all the trappings of a taut, character-driven SF classic. Unfortunately the hackneyed script does away with much of its potential. 4/10
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Creature from the Black Lagoon
Universal’s 1954 aquatic take on King Kong inspired an entire subgenre. Jack Arnold superbly directs this atmospheric story of an Amazon expedition in search of a prehistoric monster merman. But the clichéd script is the real missing link here. 7/10
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Lost Continent
A ragtag team led by Cesar Romero searches for a lost missile and finds a radioactive island filled with dinosaurs in what may be Sam Newfield’s finest film. Despite its MST3K-tarnished reputation and a whole lot of padding, it’s well worth a look. 5/10.
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