Category: In the air
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Invention for Destruction
Submarines, Bond villain bases and superweapons all play into the plot of Karel Zeman’s 1958 cult classic, based on Jules Verne. But it is the spectacular blend of animation, artful sets, mattes and live action that makes this whimsical and funny fairy-tale so enjoyable. 8/10
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Croisières sidérales
A company offers “time trips” 25 years into the future through the science of time dilation in space. It’s a passable entertainment romp, but this French 1942 comedy fails to make anything interesting out of the intriguing premise. 5/10
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Once in a New Moon
The gravity from a passing “dead star” pulls a small British village into space in this 1934 comedy. Class tensions and romantic rivalry come to the fore as the villagers try to adapt to their new roles as inhabitants of Earth’s newest moon. 4/10
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Top 25 Non-English SF Films Pre-1950
Much of the heritage in SF movies comes from non-English language films from the first half of the 20th century, many of which are largely unknown to an English-speaking audience today. Here we list the 25 greatest non-English language science fiction movies made prior to 1950. How many have you…
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The Early SF Movies of Percy Stow
Percy Stow was one of the pioneers of British trick films, and often took on science fiction subjects in his short films made between 1901 and 1915. In these he showcased high technical quality and a touch of originality.
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The Net
Britain’s first SF movie of the fifties, this well-filmed little 1953 thriller follows the secret testing of a supersonic aircraft. Good acting and tight direction helps to counterbalance a meandering melodrama that leaves the film unsure of itself. 5/10
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Boom in the Moon
My very first zero-star review goes to a 1946 Mexican ”sci-fi comedy” starring a down and out Buster Keaton doing his best not to fall asleep on set. The script has three idiots landing a rocket in the middle of a Mexican city, thinking they are on the moon. That…
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Non-Stop New York
Schizophrenic British comedy/crime drama set on a huge futuristic luxury airliner. Cringe-worthy comedy is mixed with a witness drama that manages to be both improbable and generic. Good acting and steady direction saves the film from bring a complete clunker. 3/10
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F.P.1. Doesn’t Answer
The earliest available feature film based on a modern sci-fi novel, this German 1932 melodrama concerns the then outlandish idea of a floating gas station for transatlantic flights. Filmed in three different languages with different casts, it’s not exactly a neglected masterpiece, but with talent like Curt Siodmak, Hans Albers,…
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Just Imagine
A very early sound film, this 1930 US sci-fi musical comedy tries to combine Metropolis, A Princess from Mars, The Ziegfield Follies and stand-up comedy. With predictable results. Despite being the brainchild of Hollywood’s hottest musical writers, the music is dull, the SF worse and the comedy painfully unfunny. The…
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High Treason
This 1929 film was Britain’s attempt to create its own Metropolis. The stunning art deco visuals are counteracted by a clumsy and overtly naive script. Maurice Elvey’s direction is fluid and competent, but the actors are stuck with paper-thin characters who lack motivation. Modern viewers of this pacifist yarn set…
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Charleston Parade
In a nutshell: A bonkers short subject by master director Jean Renoir from 1927 shows an African explorer in a spacecraft discovering a white native woman in a post-apocalyptic Paris, and they dance the Charleston for ten minutes. (5/10)
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The Extraordinary Adventures of Saturnino Farandola
(7/10) A milestone between two cinematic eras, Marcel Perez’ 1913 adventure epic is a loving pastiche on Jules Verne and George Méliès. Based on Albert Robida’s novel, it anticipates the retro-futuristic work of Karel Zeman and Terry Gilliam. A forerunner in feminism, but problematic in its laissez-faire racism, it is…
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The Conquest of the Pole
(6/10) Georges Méliès’ last science fiction film, released in 1912, was a magnificent swansong for an era of filmmaking. Perhaps his most accomplished film technically, but the polar adventure rehashes too many old ideas and formats, and Méliès had simply grown out of touch with cinematic progress. The Conquest of…
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The Automatic Motorist
(4/10) In 1911 British film pioneer Walter R. Booth updated his five years old film The ‘?’ Motorist with better effects, more outer space madness and a robot. Technically brilliant, the six minute short still feels anachronistic in an age where feature films were making their entrance. The Automatic Motorist.…
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