Category: Mind Control
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Missile to the Moon
A scatterbrained 1958 retread of Cat Women of the Moon, Richard Cunha’s cardboard rocket takes us to yet another civilisation inhabited by perky beauty pageant winners and their evil queen. A so-bad-it’s-good classic. 3/10
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El castillo de los monstruos
Comedian Clavillazo saves a damsel from the clutches of a mad doctor, battling Universal’s entire roster of monsters in a creaky castle. This mildly amusing Mexican 1958 horror comedy has some nice atmospheric moments and is a fairly breezy watch. 5/10
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The Trollenberg Terror
Aliens hiding in the mist surrounding the Swiss Alps terrorize a small ski resort in this 1958 British low-budget cult classic. Despite Les Bowie’s variable effects and Jimmy Sangsters occasionally wobbly script, this is a fairly effective and atmopsheric little horror thriller. 6/10
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The Brain Eaters
Small-town scientists investigate a strange metallic cone while the townspeople get body-snatched by parasites. An unauthorised ripoff of Robert Heinlein’s “The Puppet People”, this 1958 AIP low-budget clunker directed by Bruno VeSota is inept, but has its moments. 4/10
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The Robot vs. the Aztec Mummy
Archaeologists recap their previous adventures with the resurrected Aztec mummy and battle a villain and his killer cyborg. The third instalment in the Mexican Aztec Mummy trilogy from 1958 uses up two thirds of the picture on stock footage from the two previous ones. 2/10
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The Space Children
Children help an alien brain with telekinetic powers to sabotage the launch of a nuclear satellite. Jack Arnold’s kiddie-friendly pacifist message film from 1958 is intriguing and fresh in its earnestness, but bogged down by a thin and redundant script. 5/10
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How to Make a Monster
A makeup artist manipulates his actors to kill the studio brass that is shutting down horror movie production. AIP’s third and last teenage monster movie is a self-aware pastiche. The script makes no sense, but it is an entertaining romp. 5/10
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Fiend Without a Face
When the invisible brain monsters finally become visible in the film’s last 10 minutes, this British 1958 effort becomes one of the most memorable monster movies of the 50s. Unfortunately, the rest of the picture is hardly worth remembering. 4/10
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Escapement
Ex-Nazis operate a brainwashing dream machine in a psychiatric clinic in this 1958 UK mystery melodrama. Released in the US as The Electronic Monster, it squanders a good idea in a programmatic cloak-and-dagger plot. 3/10
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The Body Snatcher
A mad scientists kills wrestlers and turns them into super-monsters. An up-and-coming wrestler agrees to act as bait for the killer, with disastrous results. The first Mexican luchador/monster mashup from 1957 may be the best. 6/10
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Quatermass 2
Professor Quatermass investigates alien body snatchers that have secretly taken over the British government in this 1957 sequel. The script is original but sprawling, and lacks the original’s claustrophobic horror 6/10.
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Kronos
A giant alien machine descends to Earth and proceeds to drain the planet of energy in this 1957 Fox B-movie. The script is creaky, but this is a fairly original and well designed low-budget effort from the mind of Irving Block. 6/10
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Plan 9 from Outer Space
Ed Wood’s 1957 Magnum Opus is the epitomy of the so-bad-it’s-good movie. Far from the worst picture if all time, this is one of the most entertaining films in movie history, and unmistakingly a work of an auteur. 7/10
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Voodoo Woman
A femme fatale leads a gold hunt into the jungle and falls foul of a mad doctor turning women into voodoo monsters. Alex Gordon’s super-cheap AIP schlocker from 1957 is mildly entertaining as a so-bad-it’s-good film. 3/10
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Not of This Earth
An alien infiltrates Earth in order to collect blood for his race that is dying from anemia in Roger Corman’s well-crafted but somewhat uninspired urban thriller from 1957. 6/10
Scifist. 