Category: The New Man
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Timeslip
Reporters and police investigate a nuclear scientist living 7.5 seconds ahead of time in this British 1955 quota quickie. Ken Hughes directs solidly and the American stars turn in good performances, but the script fails to live up to its premise. 5/10
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Creature with the Atom Brain
Cult director Edward L. Cahn directs SF staple Richard Denning with a Curt Siodmak script in this 1955 consumable about gangster zombies with radioactive brains. An entertaining but forgettable atom age potboiler from Columbia. 4/10
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The Beast with a Million Eyes
Birds and cows attack the residents of a small desert community – mind-controlled by an invisible alien entity set to enslave the Earth. It says Roger Corman on the packaging, but this slow and shoddy entry lacks the magic Corman touch. 1/10
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Bride of the Monster
Ed Wood’s 1955 schlocker is a love letter to the film’s star Bela Lugosi and the monster movies of the thirties, and as such it is quite charming, despite its ineptitude. And despite ill health, Lugosi is magnetic in his last first billing. 5/10
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The Invisible Avenger
An invisible ex-soldier breaks up a mob gang and saves a nightclub singer in Toho’s 1954 SF noir. An interesting premise of war-time test subjects living as outcasts is sadly pushed out by the clichéd gangster plot. Film has its moments, though. 4/10
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The Atomic Kid
US scientists, Soviet spies and peanut butter brands want to know how Mickey Rooney survived a nuclear explosion in this 1954 comedy from Republic. Rooney puts on his best radioactive glow in order to compensate for a messy and dull script. 2/10
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Tobor the Great
A boy befriends a giant robot in this independent film from 1954. Despite the clunky red scare spy subplot attached, this is pure cotton candy kiddie fare, remembered today only for its impressive robot design. 4/10
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Gog
Strange deaths occur at an underground US research facility controlled by a computer. Suspicion falls on two helper robots, Gog and Magog. This 1954 Ivan Tors thriller in colour has a great setup, but feels more like a science lesson than an SF film. 5/10
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Devil Girl from Mars
Glorious comic book camp smashes into dull noir drama in this British 1954 cult classic. A must-see for Martian dominatrix Patricia Laffan looking for strong Earth men in her kinky latex outfit, but don’t expect too much. 5/10
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Killers from Space
Famous for its villains with ping pong ball eyes, this 1953 low-budget entry sees Peter Graves abducted by aliens planning to invade the Earth. Sadly, the stale script isn’t nearly as fun as the design of the antagonists would suggest. 2/10
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El monstruo resucitado
As enthusiastic as it is bewildering, this operatic Mexican 1953 medical horror film is a clunky passion project. Throwing in everything but the kitchen sink, it’s a mix between The Phantom of the Opera, Frankenstein and Mystery of the Wax Museum. 6/10
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Donovan’s Brain
The disembodied brain of ruthless millionaire Donovan takes telepathic control over the scientist keeping it alive in a fish tank. Based on Curt Siodmak’s novel, this 1953 effort is at its best a taut SF chiller, at its worst a confusing tax fraud potboiler. 5/10
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Cat-Women of the Moon
The first “Amazon Women in Space” film, this 1953 low-budget clunker is one of the dumbest films ever made. However, despite its borrowed sets, atrocious acting and ludicrous script, it is thoroughly fun in its naivety. 3/10
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The Quatermass Experiment
Hugely influential, BBC’s 1953 mini-series about an alien virus mutating their hosts was a massive British TV event. Aired live, its sets were clunky and the acting stiff, but the great script and innovative direction overcome the flaws even today. 6/10
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The Maze
Veronica Hurst’s fiancé Richard Carlson becomes estranged as he takes possession of his ancestral Scottish castle, harbouring a dark secret. Atmospherically filmed in 3D in 1953, this fringe SF production is hampered by an oft-ridiculed climax. 6/10
Scifist. 