Category: Monsters
-
Robot Monster
Shot on 16,000 USD in 1953, this cult classic is as inept as it is unique. Told as a boy’s surreal nightmare, it features an alien robot gorilla in a diving helmet experiencing an existential crisis as he is about to wipe out the last six people on Earth. And…
-
It Came from Outer Space
Ray Bradbury’s story is poetically put on screen in this 1953 classic. Richard Carlson stars as a mediator between body-snatching aliens and gun-happy townsfolk. Intelligent, well-filmed and thoughtful, it may be too slow for some tastes. 8/10
-
Phantom from Space
Agents and scientists chase an invisible alien around Griffith Observatory in this 1953 cheapo by Billy Wilder’s brother. Decent effects and some nice ideas aside, the film is brought down by its leaden pace, dull, talky script and cramped sets. 1/10
-
Port Sinister
Villains thwart a scientific expedition to a lost city rising out of the sea, and a damsel is distressed by lava quicksand and giant crab monsters. The valiant cast battles a thin, juvenile script, cramped sets and a low budget. 3/10
-
Invaders from Mars
This 1953 classic is the most visually unabashed SF movie of the 50s. While hampered by a low budget, this first “invasion of the body snatchers” film scared a generation of kids witless, but also contains interesting themes for adults to chew on. 7/10
-
The War of the Worlds
An everlasting classic and a pioneering work, George Pal’s 1953 alien invasion epic set the standard for visuals in SF movies. Unfortunately, in removing itself from H.G. Wells’ themes, the script loses both its poignancy and its dramatic functionality. 7/10
-
Untamed Women
A hapless US bomber crew during WWII crash land on an island inhabited by a tribe of glamour girls in leather skirts, and dinosaur stock footage from One Million B.C. The result in this 1951 lost world potboiler is surprisingly dull. 1/10
-
Bela Lugosi Meets a Brooklyn Gorilla
Often cited as one of the worst films ever made, this 1952 low-budget mad scientist/jungle comedy is better than its reputation – if you can get past Sammy Petrillo’s Jerry Lewis imitation. 3/10
-
Jungle Jim in the Forbidden Land
In the 8th Jungle Jim installation, Johnny Weissmuller tries his best not to hunt down a “missing link” species of giant ape-men, while battling a plush panther and stock footage. It’s a clunky, but entertaining and well-acted juvenile potboiler. 4/10
-
Superman and the Mole-Men
The first Superman feature film debuted in 1951 with legendary George Reeves in shoulder pads and a winning grin. Despite a decent budget, it’s shoddy and thinly scripted, although its sincere call for solidarity and inclusiveness carries on the original vision of the comic, and might just win you over.…
-
The Son of Dr. Jekyll
Edward Jekyll tries to clear his family name by recreating his father’s experiments, but a scandal-hungry society, his friends and even his own sanity seems to conspire against him. A laudable, but meandering 1951 low-budget effort from the pen of Jack Pollexfen. 4/10
-
The Day the Earth Stood Still
The fate of the world hangs in the balance as the mysterious alien Klaatu arrives on a diplomatic mission to Earth with his deadly robot. Oscar winner Robert Wise’s “subversive” 1951 classic was a radical call for world peace in the midst of McCarthyist blacklistings. Possibly the best of the…
-
Lost Continent
A ragtag team led by Cesar Romero searches for a lost missile and finds a radioactive island filled with dinosaurs in what may be Sam Newfield’s finest film. Despite its MST3K-tarnished reputation and a whole lot of padding, it’s well worth a look. 5/10.
-
Tales of Tomorrow
The first SF anthology TV show aired live in the US from 1951 to 1953. With material by some of the greatest SF authors of all time, its adult-oriented, intelligent scripts are often unsettling to watch even today. The cast boasts Leslie Nielsen, Rod Steiger, Paul Newman, Eva Gabor, James…
-
The Thing from Another World
Often overshadowed by it’s remake, Howard Hawks’ 1951 adaptation of John W. Campbell’s novella is still a stellar picture. This ensemble piece was the movie that finally blew the door open for science fiction in Hollywood, and has inspired a generation of filmmakers. 9/10
Scifist. 